Transcendentalism (Mixed Media Acrylics)-
This is a work produced with acrylics on a piece of old, wooden shelving. The original dimensions of the work are 43.5in X 18in. It was a piece that was in progress for a period of a few years (starting from when I came across the wooden panel, developed sketches, and began putting things together in my mind). It was just recently completed as of this year, 2008.
The shelving panel was already under-painted with the yellows, and shades of greens. I began working with pencil to block in images that were inherently within the random, abstract patterns of the under-painting. Then I incorporated imagery which I had previously drawn and conceptually wanted to arranged with the newly emerging elements. I used gesso to overlay pure white areas, scratched the surface with a matte knife (for textural effects), used india ink only in the two hands (at the lower portion), painted with many layers in some areas, and allowed simplistic, single brushstrokes to exist on their own in other areas. Some metallic gold was used to add reflective qualities and to express enhanced lighting.
The painting conveys many analogies that are of natural and spiritual value. It would be difficult for me to articulate all of the relationships that are within the composition, (and to express what they potentially represent) in this text regarding the work. Feel free to comment on how it makes you feel, and about what you (the viewer) can derive from it. I am open to any and all questions. Enjoy-
Transcendentalism (Mixed Media Acrylics)- belongs to the following groups:
Complex Simplicity of Art, Abstract Realism, Acrylic Painting, All Things Poetic, Artistic, Philosophical, DaDa Land, Fine Arts, Live, Love, Dream, Mixed Media, Remodernist Painters' Group, Self as Other, Spiritual Art, The Voyage Of The Surrealists and Vibrant and Vivid Color Available for sale asGreeting Cards, Matted Prints, Laminated Prints, Mounted Prints, Canvas Prints and Framed Prints

Deborah Dillehay
Beautiful. What a fertile imagination you have. We have a kinship here in that I went through a period of painting on cabinet doors that I found discarded in the basement of our new home. I bet this piece really looks great in person!
Robert Dye replied
Thanks for the appreciation here Deborah, I feel the photo of this work is the best representation, but the original has many nuances of texture and reflection which I enjoy and help to enhance the overall work. Take good care-
helene ruiz
wow!
Robert Dye replied
It is so nice to have amazed a wonderful artist like yourself, Thanks helene, take care-
helene ruiz
u r an AMAZING artist….look forward to seeingmore of ur work!
Keep em coming!
paulevelin
very strong artwork
excellent
Robert Dye replied
Thanks paulevelin, It is nice to know the power behind this integral work is expressed and appreciated. It is one of my most recent paintings that I had finished (it had been in development for a few years)... Take good care, keep in touch-
Mara Panich
I am enjoying this painting very much. It certainly has a depth (physically and spiritually) that goes far beyond what I can express in this little comment box. It contains some dualism and a pain/pleasure aspect that I want to explore more! Well done.
Robert Dye replied
Thanks for the good thoughts about this work. Feel free to mail me if you want to take more time to discuss any particular elements of the work (in greater depth). Take good care, peace-
Alan Findlater
really good work very well done
Robert Dye replied
Thank you for the uplifting comment about this one. It is one of my more recent pieces, and is somewhat of an unusual construction. Hope you take good care, Peace-
mklau
Truly evocative
Robert Dye replied
Thanks for the comment… Take good care, Peace-
MinoYasue
This is compositionally strong with strong story telling ability.
Robert Dye replied
Thanks for commenting MinoYasue, hope you take care, Peace-
kcranmer
Very symbolic and powerful artwork!
Robert Dye replied
Thanks for the viewing and good comments kcranmer. Hope you take good care, Peace-
Lindsey Carrell
You wrote I began working with pencil to block in images that were inherently within the random, abstract patterns of the under-painting… That’s really interesting. One of my favorite ways to start a painting is to haphazardly brush left-over paint from whatever I’m working on onto a blank surface. Eventually I’ll look at it and draw in images I see within the brushstrokes and go from there. Is this kind of what you mean?
Robert Dye replied
Thanks for the comments. Yes, this piece evolved in a natural process as you described. I knew only of some of the imagery that I wanted to incorporate within it, but the placement of such objects along with newer shapes formed within the texture of the underpainting. Glad that you read over the process and can appreciate this style of work. Hope you take good care, stay in touch, Peace-