Cultra Irons on window ledge 1910

ragman

Cultra Irons on window ledge 1910

OVER ONE HUNDRED VIEWS ~ THANK YOU

Cultra Irons on the window ledge of an Irish Cottage

FROM THE FORTHCOMING
ANOTHER BLONDE CHAPTER: THE GIRL FROM 1910

Tuesday was usually set aside for ironing, a chore that took all day and was nearly as tiring as washing. As one expert noted, “Ironing is admitted to be somewhat trying work, because necessarily much heat is involved; but orderly procedure and good methods will prevent the worker from getting into a flurried state of mind.”

The 1886 edition of Practical Housekeeping advised, “When inviting friends for visits of a week or more, try to fix the time for the visit to begin after the ironing is done.” The point being that the homemaker would be in a better frame of mind and have more time for cooking meals and tending to her guests.

Women of the time undoubtedly would have been using a “sad iron” to press their families’ clothes. One meaning of sad in nineteenth century dictionaries was “heavy.” Although many of these irons were small, they were very heavy.

When sad irons were heated near an open fire or on the stove, their handles became red hot. Women tried wrapping aprons or towels around the handles, but still burned their fingers. Mary F. Potts endeared herself to countless women when she patented a much lighter sad iron with a detachable wooden handle.

The first type of Iron Was a Flat iron or Sad iron (“sad” meaning heavy) which could be heated on a fire or kitchen range, or sometimes on a special stand.

Sad Irons came in many different sizes and were made from cast iron which made them heavy to lift and often too heavy to hold and use easily. You needed to own several so that a new one could be heated up while one was being used. You could test to see if it was hot enough by spitting on it.

Flat Irons were replaced by Box Irons (hollow metal boxes filled with heated metal or charcoal). One type was the hollow metal box iron with a lift-up door at the back. A small piece of cast iron, which was the same size as the box, would be heated in the fire grate until it was red hot and it would then be placed inside the iron. In a second type, the hollow metal box would be filled with glowing coals from the fire.

By inserting a pair of bellows through a hole in the back, the user could raise the temperature although use of the bellows could cause showers of soot and ashes to fall on to the newly washed clothes.

Electric irons came on to the market in 1890 and were developed with dials to control the heat. Later water compartments were added to provide steam, which made ironing much easier.

Cultra Irons on window ledge 1910 belongs to the following groups:

Nostalgic Art and Photography Available for sale as

Greeting Cards, Matted Prints, Laminated Prints, Mounted Prints, Canvas Prints and Framed Prints

Cultra Irons on window ledge 1910 by ragman
  • GerryMac

    GerryMac

    excellent composition!

  • ragman replied

    Thank you GerryMac I am pleased with this one

  • GerryMac

    GerryMac

    You have managed to make it feel timeless….

  • digitalmidge

    digitalmidge

    Fabulous lighting and composition, just lovely…

  • ragman replied

    Thank you so much

  • savosave

    savosave

    great shot David,did you arrange the irons?

  • ragman replied

    No, david ~ always shot as seen

  • ragman replied

    ..... if I were able to I’m not sure I would have got such a quirky composition

  • savosave

    savosave

    ok,superb eye and treatment for the shot

  • Jan Piller

    Jan Piller

    This is nice – your toning works really well with this. Nice atmosphere!

  • ragman replied

    Thank you Jan, particularly for commenting on the toning, which in my opinion can make or break an image’s presentaion and success

  • Joanne  Bradley

    Joanne Bradley

    This has such a wonderful nostalgic feel to it. Great shot, angle and composition.

  • ragman replied

    Thanks Joanne for your comment which is much appreciated

  • susan davies

    susan davies

    wonderful work

  • rosedew

    rosedew

    Wow such atmosphere!

  • velveteagle

    velveteagle

    It seems all in balance .. and the mood flows well.. I think you did just fine..

  • SNAPPYDAVE

    SNAPPYDAVE

    great shot … I did an entire study on domestic smoothing irons when I was seventeen (this is a sad iron on left and a box/slug iron on right) ... light is great … really adds feeling of age.

  • ragman replied

    The first type of Iron Was a Flat iron or Sad iron (“sad” meaning heavy) which could be heated on a fire or kitchen range, or sometimes on a special stand.

    Sad Irons came in many different sizes and were made from cast iron which made them heavy to lift and often too heavy to hold and use easily.

    You needed to own several so that a new one could be heated up while one was being used. You could test to see if it was hot enough by spitting on it.

    Flat Irons were replaced by Box Irons (hollow metal boxes filled with heated metal or charcoal). One type was the hollow metal box iron with a lift-up door at the back.

    A small piece of cast iron, which was the same size as the box, would be heated in the fire grate until it was red hot and it would then be placed inside the iron. In a second type, the hollow metal box would be filled with glowing coals from the fire.

    By inserting a pair of bellows through a hole in the back, the user could raise the temperature although use of the bellows could cause showers of soot and ashes to fall on to the newly washed clothes.

    Electric irons came on to the market in 1890 and were developed with dials to control the heat. Later water compartments were added to provide steam, which made ironing much easier.

  • Anthony Mancuso

    Anthony Mancuso

    another brilliant piece of work David!

  • ragman replied

    Thank you Anthony, it is a tremendous piece in my portfolio for a reason that will become clear in the future

  • Michael Jordan

    Michael Jordan

    Great image mate, I envy your writing skills too….:)

  • Sean Farragher

    Sean Farragher

    fantastic image

  • Nikki Trexel

    Nikki Trexel

    the light, perspective, composition, color and detail in this image all stun. thanks for sharing all the history too! awesome image, it’s so simple but i can’t stop looking at it.

  • Cordelia

    Cordelia

    A very interesting subject and great use of light. The sepia works perfectly.

  • Lisa  Kenny

    Lisa Kenny

    very nice ~ i really like the tones in this, and the composition is lovely

  • midzing

    midzing

    beautiful…. well done

  • SandraRos
  • ragman replied

    Thank you for this honour, which I really appreciate

  • Ursula Rodgers

    Ursula Rodgers

    Wonderful work David, with an interesting history of irons to go with it. Congrats on your feature!

  • ragman replied

    Ursula thank you

  • Diana-Lee Saville

    Diana-Lee Saville

    Loverly stuff :))

  • Gudrun Eckleben

    Gudrun Eckleben

    Very unique! Love the story too. :-)
    I think I might have to add you to my watchlist, as your work is absolutely fascinating!

  • Heloisa Castro

    Heloisa Castro

    excellent

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