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La Primavera - Botticelli - 1478 - Florence - featured in Core group in March

  • Has reached 1000 viewing on 1st January 2011
  • Has reached 500 views in July 2010
  • Featured in the Core group in March 2010

PLEASE SEE THE PAINTING FIRST BELOW THE TEXT IN THE COMMENTS BOX :-

My own art story based on my research on ‘La Primavera’ by Bottecelli, focusing on the symbolism and iconography of the master piece.

Botecelli’s ‘La Primavera’ – ‘Spring’, inspires mystery, through symbolism and iconography, remaining open to the interpretation of its allegory. Nine figures are portrayed and all female figures are pregnant. Primavera is a classicaly driven Renaissance painting, with Venus, the godess of love as the figure in the middle of the group. Cupid meaning love is above her with his arrow pointing at the dancing nymphs; the three graces.
Mercury, messenger of the gods has his back turned seeking forbidden fruit. In symbolic terms he is ‘out of the picture’ in the central theme of painting, which is creation.
The fertile meadow illustrates 170 flower species in an enchanted garden. The botanist flowers in the painting are symbolic of marriage and love. Roses and periwinckles link with marriage and orange blossom, in the orange grove is symbolic of sweet scent. The strawberries in Flora’s hair and wedding dress are symbols of sweet tast and the iris for transparency of petals. The secrets of human nature and creation are intertwined here in motion, symbolising regeneration. Movement is significant in the painting, captured in the implied motion of the hands and motion of fine drapery in the clothing.
Botecelli was inspired by the poetry of his time, a hundred years before Shakespear.
Florence was at the forefront of art, in this early Renaissance period. Botecelli took a risk with the subject of the Primevera. Florence took ancient Rome as a model but new sophisticated pagan art threw off the rules of religious art, such as the traditional depiction of the Virgin Mary and child.
Venus’ son is cupid, the three Graces are the first sensous figures for 1000 years. They are not women but nymphs and accompanying Venus’ beauty, shown in the painting as an enchanting beauty coming from within.
On the right the painting shows Zephyr, the winged god’s lust for a wood nymph and according to the classic tale he captures her and deflowers her. He takes Flora, the figure looking directly out, as his wife, after this act.
The Primavera was commissioned by Lorenzo di Pier-Francesco de Medici (newphew of Lorenzo the magnificent) for his daughter’s marriage and bridal chamber.
This Florence tradition of the period, in which the chamber of a newly married couple, held a depiction of a scene of the act of deflowering was to reasure the bride.
The painting would have been displayed in the bedroom, six feet off the ground so that it would be looked up at.
There is a physical weightlessness in the movement of the figures in the painting and also a gravity about it.
The key thinking or symbolic linking suggests the philosophy of Plato that love is impulse, which stimulates humanity, divine love desipheres the riddle.
The painting with its symbolic references, carries intellectual and aesthetic beauty, it is a beautiful painting.
Flora who draws us into the painting and who looks out boldly, appears a fusion of male and female. In a way, she has a knightly role to detract attention from the central Venus figure, who operates with divinity and is thus shielded.
La Primavera seems eternal and it reveals the complexities of Love. The subject of Love and the battle of the sexes remains a mystery, as does the Primavera. Venus’ motion is central in regeneration and creation and triggers other complex patterns of motion, which are all interlinked, her link is with divinity.
SEE THE PAINTING BELOW IN THE COMMENTS BOX

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La Primavera - Botticelli - 1478 - Florence - featured in Core group in March by 


PLEASE SEE a picture of the painting inside the comments box in the public view of this text.
My own art story based on my research on ‘La Primavera’ by Bottecelli, focusing on the symbolism and iconography of the renaissance master piece.
This master piece is particularly interesting because it broke with tradition but depicts classical figures, as well as170 flower species in an enchanted garden.

Tags

flowers, renaissance, bottecelli, art history, la primavera

Comments

  • RosaCobos
    RosaCobosover 4 years ago

    I find your writing utmost interesting though I think that is too graphic not to be completed with a photography of the same one. Otherwise, I need to look for it into a book and read your so coplete description. It would be easier. You could, try to look for a link…or something like that.
    I insist that it is so grand your interpretation, that one though having seen so many times the art piece, inmmedeately needs to go there and find all that you are describing….and ponder about it.
    Thanks for it…a great piece.
    Rosa

  • RosaCobos
    RosaCobosover 4 years ago

    Here it goes…..you can place it in the description box…too.

  • RosaCobos
    RosaCobosover 4 years ago

    Just copy and paste this address in the writing description box …and place two closing exclamation marks before and after the link.
    Splendid…!!!
    http://ih1.redbubble.net/work.4890865.1.flat,55...

  • Thank you Rosa – I have tried to paste your link with the two exclamation marks before & after but somehow the picture isn’t appearing…..I will definitely keep trying to get the painting in the description box one way or another….
    I’m pleased you found it interesting…I got good grades for this piece in a higher course…and it took much research….on the surface the painting looks beautiful & serene which was a clever way for Botecelli to depict the cycle of life as he saw it to be, without it & he being rejected by society of that time… everyone fell in love with the beauty of the painting…the flowers, the fine drapery on the beautiful nymphs & the theme of love & creation..

    – Penny V-P

  • Ushna Sardar
    Ushna Sardarover 4 years ago

    nicely written!

  • Thank you so much – I’m very honoured to have my piece of writing featured in the Core group.

    – Penny V-P

  • eoconnor
    eoconnorover 4 years ago

    wonderful description and rosa iidea of the pictur brings it all together for us the reader well done !!LIZ

  • Thank you so much for your comment – it is very much appreciated..:))

    – Penny V-P

  • Ingz
    Ingzover 4 years ago

    just excellent Penny….such a well deserved feature xxx

  • Thank you so much Ingz xxxx :))

    – Penny V-P

  • Aleksandar Topalovic
    Aleksandar Top...over 3 years ago

    excellent

  • Thank you so much Aleksandar :))

    – Penny V-P

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