LET'S PUT AN END TO THIS FALLACY ONCE AND FOR ALL...

The fallacy in question is one that has come down through the years, stating that no true artist worth his/her salt would paint from a photograph...

I am sure as painters you have read this, and heard it many times over…good artists paint from life, preferably out doors...photos flatten the image…use them as references only if you must…yada yada yada..statements like the following abound in art books…

The camera can be an obstacle to personal observation. We don’t need a camera to see things, we have eyes… photos lie, they change colors and values, they give us way too much information, and they can take the soul and individuality of the artist’s personal vision out of the painting.” (Liz Reday)

Photography is not your eye. It distorts proportions and perspectives… it is only a reference point. You cannot copy the photo, it can be wrong... (Bernard Poulin)

And so on…

There is the inherent snobbery in the artist who sneers at others for using reference photos and boasts about only painting from life...who decides how a painting should be created? Any painting that evokes a feeling is a successful one, regardless of the tools the artist used in creating it

As a studio painter of primarily Still Life, I find these so called rules ludicrous and arbitrary...like many artists, I have a small space…I set up my Still Lifes on the same table that I paint…I take more than two dozen pictures from every angle, and then to dismantle the whole thing in order to start painting…moreover, when I paint food I have no other choice to but to take photos, as the food begins to rapidly deteriorate in front of me...

In researching the use of the camera in history I found that in the 1600s Vermeer apparently used a camera obscura to paint some of his finest work...

Canaletto was also supposed to have used the device to capture the architectural detail for which he was so famous...

In the 19th century, painters like Corot and Courbet were both intrigued and intimidated by the artistry and truthfulness of the early photographs. It took the likes of the Impressionists to realize that painting had to make a turn and do something that photography couldn’t. E. J. Hughes said, “It is mostly due to the invention of the camera that all this design and emphasized paint quality have come into painting.” The camera is a brilliantly innocent device that inevitably forced modernism to happen...Robert Genn.

And now we come to Peter Doig… Doig is one of the most expensive living artists in the world…his paintings fetching millions of dollars at auction. He lives in Trinidad (my island) and paints solely from photographs…he states: “I’m not trying to make paintings look like photos. I want to make paintings using photos as a reference, the way painters did when photography was first invented”.
His painting “White Canoe” sold for an astonishing 6.1 million pounds sterling last year.. “A mirrored image of a lake at night, White Canoe is a wishful infeasibility where the reflection is more detailed than the landscape itself”....Saatchi Catalogue…his paintings are sold in prestigious galleries around the world..he has a professorship at Dusseldorf and his exhibition at the Tate Britain just ended last week..embodying work spanning two decades, the Tate exhibition was the biggest and most comprehensive of his career...

So if you are feeling conflicted about using your own photos as references for your paintings…don’t be…there is no right or wrong way to create art and no one should tell you how to create yours…do you think Mr Doig cares about the so called rules?

Here are some further quotes on the subject from various artists.

“Because I like dealing with fleeting light situations and the way I work with watercolor makes it impossible to work outdoors fast enough, I use a camera as a sketch tool”. (Jacqueline Peppard)

“Taking my own photos means my subject is always in the same light, plus it allows me to work at my own pace at any time of the day… It also means I can take breaks whenever I need them, without having to worry about overtiring the model”. (Dorothy Oxborough)

“If you look through the history of art, you can see a shift in composition with the advent of the camera”. (Joseph McGurl)

“It is amazing that many people should repudiate the application of photography in the art of painting. Apparently they are unaware of the fact that ever since the development of photography many a visual artist has eagerly availed himself of this marvellous invention”. (Cornelis Le Mair)

Returning to Peter Doig…he has not only been an inspiration to me but has dispelled another myth that has dogged me for a long time..for years I was told that no gallery would look at me unless I had a body of work that was recognizable as mine..in other words similar in style and subject matter…I wanted to paint all sorts of things in all sorts of ways, so I turned my back on the galleries…in viewing Peter Doig’s paintings the only similarity I can see is that they are all brilliantly executed....Janis


Peter Doig “Grasshopper”Saatchi Gallery Catalogue

Link Saatchi Gallery

  • Robert O'Neill

    Robert O'Neill

    Great piece of writing/rant. Photographs can be very helpful to those of us who cannot paint that fast.

  • Janis Zroback replied

    Photographs are helpful even if you do…I am a fairly fast painter and I do use my photos as references all the time….thanks so much for commenting Robert…

  • Erika .

    Erika .

    Thank you so much for sharing this!! It’s such a relief because my art teachers always said that painting from a photograph isn’t real art. I never really understood that, and to be honest I really doubted that. I love what you have written here. Thanks so much Janis! XX

  • Janis Zroback replied

    I woke up this morning and after looking at Doigs work again, I thought this has to be written, and sat down and just now wrote it right on the page here…it is something I am very passionate about…no one can tell you how you should create your work…I am sure that most of the painters of the past would have used the camera if it were available…I’m so happy that you found the article helpful…

  • Marita McVeigh

    Marita McVeigh

    Yes, I agree with everything you said Janis. My life is so busy that I take many pictures of thing I am moved by and then when I finally have time to paint I can go back and look thru the pics. I like to bring them to life! Sometimes I do paint on location but then I take lots of pic there and finish the painting at home when there is time.

  • Janis Zroback replied

    I am taking a mini break next month and taking my camera to take shots of anything I find interesting to paint later on…I find I see things in the pictures, I never noticed at the time…thanks so much for your input Marita…

  • kjgordon

    kjgordon

    HipaHipa ..cheers to you wahini…..
    much of my work comes from photos as well as memory..
    I just about never paint on site …......
    many times my scenes are created with artistic license as you would put it
    People have a choice of what they enjoy viewing….........
    I do not care what others say in a negative way…......only positive expressions are aloha for me…..

  • Janis Zroback replied

    Painting on site is downright uncomfortable…wind, sun, rain, bugs, and no comforatble chair, plus everything else….I hate it…thanks so much for your input KJ…

  • richiedean

    richiedean

    It pays to ignore statements from folk with predudices, especially when their words contradict there actions. Snobbish critique, is always best avoided. The narrowness of their view must be so restricting for them in the world of art ….......... :))

  • Janis Zroback replied

    It is a very widespread feeling that if you area “real artist” you paint only from life…such nonsense…if you are a skilful painter, it does not matter where the source of your image comes from, providing it is not violating any copyright… thanks so much Richie…

  • Tama Blough

    Tama Blough

    I don’t work from photos much but don’t see anything wrong with it, either. At some point the artist must veer from the thing in front of him or her, be it still life, landscape or photo, and do what the painting wants us to do. Unless you are a photo-realist, and even then I’m sure the painting will talk to you a bit.

  • Janis Zroback replied

    Very true..thanks for your input Tama…I really appreciate it…

  • Tama Blough

    Tama Blough

    Your comment above about being uncomfortable on-site made me wonder if you have ever seen Prince Charles’s book of watercolors? He does not photograph where he has been, only paints. He is one of the best plein-aire painters around, I think. Some of the paintings are extra fun because they will have big splots of raindrops on them, or be extra-scribbly because he is on a boat and losing his view. There is a great photo of him on the back in his little tweed outfit, sitting on the ground with his Windsor-Newton Field Kit, that warmed me up to him to no end. The book is not easy to find – I got mine on ebay, but if you run across it it is worth a look.

  • Janis Zroback replied

    I have seen it, and it’s just as you say…the elements are part of the painting….but I find it difficult to sit outdoors on those little stools in the sun or rain…I have to be very comfortable when I paint otherwise it’s no good…

  • Susan Duffey

    Susan Duffey

    I entirely agree with your stance, Janis. Isn’t art about breaking rules so ensuring progress?
    I love the art of Shirley Trevena whose vibrant watercolours break all the rules.I also love working in mixed media which must be a nightmare for purists. There’s room for all sorts of media, techniques and approaches in creating art. A photograph can be a starting point for an impressionist interpretation or cropped to create an abstract interpetation. I thoroughly admire the hardy souls who can paint in all weathers but for those who want to paint a spring subject in autumn or vice versa I can see nothing wrong in referring to a photo from a personal resource built up within the year or over the years. It’s the pleasure and satisfaction of creation that counts not following rules made by unknown people who can have the power to restrict and undermine.

  • Janis Zroback replied

    I adore Shirley Trevena’s style and have all her books and I entirely agree that how you create is not the question, but the end results that matter…it is your personal journey, not anybody else’s…thanks so much for your input Susan…

  • Lora Garcelon

    Lora Garcelon

    From time to time I like the challenge of painting from life but most of the time I use photos. I paint children and there’s no way they are going to stay in any one position for more than a few seconds. I have a lot of fun taking photos of things, people, & scenes that I would like to paint.

  • Janis Zroback replied

    I could understand that Lora…kids would never sit still…what amazes me is that I even had to write such an article…but I had heard and read it too often, here and elswhere….and it’s really not so much the critics, but other artists who set up these arbitrary “rules”...the only question that should be asked is whether the work is good, not so much about how it was made…thanks so much for your input…

  • Alison Pearce

    Alison Pearce

    Excellent article Janis!! As a beginner, I find photographs very helpful in the process :)

  • Janis Zroback replied

    They are invaluable at any point in your art career…thanks Alison…

  • bev langby

    bev langby

    Very informative Janis, im just glad that im in a place where those people dont effect me one way or another lifes too short …........

  • Janis Zroback replied

    Those people are actually other artists right here on RedBubble and elsewhere…I am glad that you are not about to let them affect you…they don’t affect me either, but some artists are very depressed about not meeting these arbitrary standards…thanks for your input Bev…

  • GEORGE SANDERSON

    GEORGE SANDERSON

    As far as I am concerned there are no rules in art. art is what you make of it and beauty is in the eye of the beholder, not some stiff upper lipped so-called art critics !
    I saw a tv programe about how the camera has influenced art over the years and one veiwpiont was, the camera freed the artist to explore other avenues, rather than creating lifelike images. but l still prefer to work from photos, than from life !

  • Janis Zroback replied

    You are so right George…but it’s not so much the critics, as other artists who are making these statements…I’m so glad you do your own thing…keep doing it…it will serve you well in the end…thanks so much..

  • Ron Moss

    Ron Moss

    Lovely read Janis well done. I would scratch on my arm if I thought it would help me get an idea down fast. I use the camera a lot as you know, both in my art, and to record a scene I want to paint. Of course using part of a photograph in the painting as a collage is not new either and works very well. All good things to try and use….thanks for the link to Doig :-)

  • Janis Zroback replied

    Thanks so much Ron…I’m glad it resonated with you…I am going to post another on how best to use the camera, for those who are just beginning to explore it as a tool…I admire all the work you do with yours and always look forward to seeing the next one…

  • LorusMaver

    LorusMaver

    Nice piece Janis, firstly many an acomplished artist works from photos,even if it is just reference shots to make up ones own composition, secondly, artists,wether painting from life or photo,s have there own desired pallette anyway, which makes it different from the photo or scene,also as artists we only paint what we feel is vital in the photo,s, all superfluous detail/ clutter is removed, again only referring to some parts of photo,,also we recompose the image to suit what we want, , I know of personally and through history that many artists use photo,s and as for me personally i dont listen to critics,the media or any other art body/ authority on this matter as art itself changes year by year in do,s & donts, whats good & whats not, Art is Art however you created it techniques,methods so that in itself is art and personally i think a photo,/ camera is another part of our tool kit.!

  • Janis Zroback replied

    Thank you so much Lorus…you are very right…but again it’s not really the critics…the quote above are from artists and the snobbery seems to emanate from them first…that why I wrote this…I was tired of hearing the same refrain…it’s astonishing that we have to defend the way we create…

  • catherine walker

    catherine walker

    No Problems with it..as long as the photo is the artists own work.

    xxxxoooo

  • Janis Zroback replied

    I can’t agree with you on this point Catherine….I have done some wonderful collaborations with photographers here and we were both happy with the results…many artists collaborate in painting, writing and music…Doig himself, who no one can say is not successful, is collaborating with other artists right now…there are no rules in creating art as long as you are not violating anyone’s copyright..

  • Marilyn Brown

    Marilyn Browncommunity host

    Yes Janis! The skill comes in the interpretation of the subject matter from whatever reference material you wish to employ!
    Degas was another artist who use photography extensively as a tool!

  • Janis Zroback replied

    And that why I say ….why not use all the tools that are available and at our disposal? Throughout history artists had to be very inventive with the materials they had, and that is still so today…I just wish there was not this kind of snobbery that seems to be an inherent part of the art world…too many people pontificate about the way things should be done…Doig pays no attention to the rules and look how successful he is….thanks so much for your input Marilyn…

  • Lorna Gerard

    Lorna Gerard

    Thank you so much for thisinfo Janis, I agree with what you say as I have always used my protographs as reference material and also to bring back memories and feelings and then translate it into my own creations. I have found that over my life I have not always had the time to do the work as my family, life, work always came first and then When I had some time for me I would squeeze in some art, if I wasn’t too tired! Thanks also for the info on Doig, I haven’t heard of him. mainly because I don’t follow the art world, I just do my own thing.
    I have also walked the gallery route and found they can be quite elitist or mainly about money, I haven’t be able to get someone to support me in that way, so I just do my own thing and try to get my art out where I can, and try really hard to make some sales, which it seems I am better at painting that marketing. Still i feel it is about the journey and not the destination, so i feel blessed to be able to paint and express what i feel. RB is a great place for all us creatives to be able to express not only with art but with writing, as I believe it is so important to stay true to ones self and not let others try to influence us. I have galleries tell me “why don’t you paint like this artist as they do well” and I just shake my head, and keep creating as me, because there is no one else like me and I don’t want to be like anyone else. So the debate goes one…Thanks so much for opening up this discussion, look forward to more. xxxooo

  • Janis Zroback replied

    Thank you so much Lorna…who can tell anyone they should paint this or that way…that is so elitist…but as I said above it is not the critics, or Doig would not be selling for millions, but other artists…I have seen it right here on RedBubble, where people were told that it’s not real painting if they use a photo…how patronising I thought….continue to be true to yourself no matter what anyone says…I am glad the article resonated with you and I certainly will continue to post more…

  • Vickyh

    Vickyh

    Bravo Janis !! Well said.

  • Janis Zroback replied

    Thank you so much Vicky…glad you liked it…

  • bev langby

    bev langby

    Janis i actually meant a place within myself lol there was a time when people like this has a great effect on me but no more and its up to the individual to say enoughs enough and just do your own thing to please yourself not others…...........dont get me wrong it was a long battle to get to this place but now i am there and its liberating…........

  • Janis Zroback replied

    I know you did….I am in that place too…I do what I want and how I want when it comes to painting…it is the only place where I have full control…. :))

  • bev langby

    bev langby

    oh yes thats right my life away from art is chaos lol art is the constant ,thats why i wont let anyone stamp on my feelings when it comes to art ….

  • Janis Zroback replied

    That’s great Bev..it’s a good feeling isn’t it…

  • bev langby

    bev langby

    oh and i meant to add i have never sold a thing but then that would be a bonus, i do this cause it makes ME HAPPY lol

  • Janis Zroback replied

    And that’s the best attitude to have…do what you love above all…..

  • Euan  Thorburn

    Euan Thorburn

    thank you janis
    xxx

  • Janis Zroback replied

    You are most welcome Euan.. :)) nice to see you…

  • LeighAth

    LeighAth

    Hi Janis. As much as I didn’t want to have to do this (this is a great piece of writing) I had to decline this piece in the Let’s Pay Homage group. The reason for this is that it doesn’t say anywhere in it or in the description/title what specifically this is an homage to. If you could put a brief note somewhere that says “this is an homage to…[place words here]” you could resubmit it and that would be awesome. Is it an homage to the artists you quote, or to painting itself, or to photographing images when it comes to painting or what? I’m sure you don’t want us to have to guess so tell us straight out. Thanks :)

  • Janis Zroback replied

    That is fine Leigh…the discussion is very lively and that was my main goal…but in fact it is a homage to Peter Doig and all artists who are creative in using the tools at their disposal…I did not realize I had to say so specifically…

  • Fee Dickson

    Fee Dickson

    Great post ,Janis. I use photos a lot and i heartily agree with the above..BUT. I do think it’s very important for beginners to learn to sketch en plein air, or from life. It’s an important stage in an artist’s education ( only in my opinion, of course :)

  • Janis Zroback replied

    I think you are perfectly right about when you are beginning to paint…. you need to learn to draw, and learn about the use of colour and all sorts of things…..that being said I am referring to experienced artists who use photos as a reference and are looked down on by other artists, because they do…I have had people tell me how upsetting it is to be criticized for using photos and told that they are not real artists because they do…thanks so much for your input Fee…

  • thepaintedsoul

    thepaintedsoul

    Well let me be REALLY difficult. I think unless you grind your own paints using minerals, insects, etc mixed into home-grown linseed oil you’ve hand-pressed . . . and unless you hand-bind your brushes using found cypress sticks and any mink you happen to capture running through your yard, make your own rabbitskin glue for gesso from those multiplying neighborhood hares, build canvasses from fallen oaks that you’ve hand-milled . . . or better yet, unless you use torch smoke and the burnt end of a fire stick building images on cave walls, well you’re just plain cheating Janis. : >D TPS

  • Janis Zroback replied

    Well said Michael…I’m so glad you stopped by to comment…thank you so much..
    I find it so difficult to accept the elitist attitude of artists who sneer at others because they don’t paint every single thing from life…I also find it amazing that they would dare to tell others how to create their own work..
    I keep looking at Doig and thinking, he does brilliant work, breaks all the so called rules, uses photos pretty exclusively, does what he likes, all his paintings are different from each other, people are willing to pay millions for his work, and he is only 50 years old…there must be something to be learned from that…

  • Elf Evans

    Elf Evans

    Right ON!

  • Janis Zroback replied

    Thank you so much Elf…I am glad you like the article…

  • Susan Spracher Macaluso

    Susan Spracher...

    Janice, I agree with you! My aunt has always painted portraits from photographs and they are each so unique, imprinted with her own style. A dozen artists can paint from the same photograph, in the same light, at the same angle, etc…and their paintings will each be different. There is no room in art for judgement. It is all subjective, and the means by which one accomplishes it shouldn’t be a debate. Artists should be too busy creating for the nonsense of argument, or just not be threatened by it. Snobbery stems from fear, which is useless.

  • Janis Zroback replied

    Well said Susan…people tend to forget what the word create implies….to produce, generate, bring into being, make, fabricate, fashion, build, construct; design, devise, originate, frame, develop, shape, form, forge….nothing is said as to how it should be done…that should be entirely up to the individual…
    Thank you so much for that insightful comment and welcome back to RB…. :))

  • catherine walker

    catherine walker

    Janis..I didn’t mean if it was a collaboration..that’s perfectly fine ..Oh my God!!
    no wonder I am misunderstood
    I guess I should have made myself clearer ..sorry .
    I meant if an artist uses someone elses photo with out the photographers approval .
    Then I think it’s stealing someone elses ideas..
    In No way have I ever thought of you as stealing or cheating..and you know I love your Art..all of it.
    and I know you like mine too.
    You were the first person to help me with R/B problems when I first came here..and I’m eternally grateful for your advice and friendship.

    cathy walker
    xxxooo

  • Janis Zroback replied

    In the article I made it clear that we were discussing using our own photos as references, so when you said only if it is your own, I took it to mean that you meant we should only use our own photos and nothing else…it is taken for granted that we don’t violate copyright under any circumstances…that is a definite no no…but other than that, whatever tools an artist uses to create a painting is perfectly all right and no one has the right to say they should not, or that they should do it another way…
    Can you imagine how stultifying creating art would be if we all followed some arbitrary standard? how boring the exhibits would be… creating means just that…inventing, devising, fabricating, out of whatever materials we want to use and however we want to use them, and no one has the right to say we should do it this way or that…it is that kind of snobbery that we are protesting against…
    As Michael said above…unless we are creating work like the cave men did, we are all using materials invented by someone else…
    Thanks so much for clarifying your comment Catherine….

  • Linda Callaghan

    Linda Callaghan

    100% totally agree with you Janis!! well written. You so light the way for some of us artists. Whether a photograph is used or not is the artist’s choice and sometimes I do and sometimes I don’t… but most of the times I do. I remember when I started to paint being told by someone once that painting from a photograph is cheating! Did not like that comment at all and this coming from a person that cannot paint! One could say envy played a part!
    The end result is the important thing regardless of what tools or methods are used as you still need talent and a creative eye to produce unique works of art. The camera is just another means of catching this in a more convenient way for the artist to produce their art at their leisure regardless of subject..and also who in their right mind would set up their easel and paints on a windy day to paint the scenery, impossible anyway!

    Cannot understand why some people who create beautiful art can also be critical with ugly comments towards their fellow artists ….live and let live I say.. life is too short! thanks for bringing this topic up Janis.

  • Janis Zroback replied

    I am glad the article resonated with you…how is using a photo cheating I don’t know….it is the same scenethat you are painting, whether you are standing ourside or sitting in your studio…yes photos do flatten the image, but a clever artist can get by that very easily…
    I agree it is envy and ignorance that brings out statements like that…I suspect that even when they say they don’t, most, if not all contemporary artists use photos as references at one point or another..very few paintings can be completed outdoors because of the vagaries of the weather, and even Still life paintings or portraits may need photographic assistance at some point…
    But regardless, it is the end result that matters…I know artists who never learned to draw, and use a projector for all their work….so what…if the painting evokes a feeling, that’s all that’s necessary….look at Pollock…the man splashes paint on a canvas on the floor…he is not to everyones taste, but his work certainly does evoke feeling….
    Thanks so much Linda for your insightful comment…

  • Anna D'Accione

    Anna D'Accione

    Great article Janis, I read somewhere that ‘good art is not how it looks, but how it makes you feel’ and that image can come from anywhere. Thank you for always enlightening your fellow artists.

  • Janis Zroback replied

    You are welcome Anna, and you are so right about good art…thank you for stopping by to comment…I really appreciate it…

  • ANNETTE HAGGER

    ANNETTE HAGGER

    If its good enough for Peter Doig its good enough for me. anna : )

  • Janis Zroback replied

    I totally agree…could you add your last comment again…I just hit the wrong button and deleted it…

  • ANNETTE HAGGER

    ANNETTE HAGGER

    interesting reading Janis, please add to the Just Watercolours group….anna : )

  • Janis Zroback replied

    I will do that…thanks so much…

  • K Bock

    K Bock

    excellently written, extremely interesting and informative
    most enjoyable reading, thank you for adding this to Impressionism Cafè group

  • Janis Zroback replied

    I’m so glad you accept writing, as I have many articles in my writing pages that only the people who watch me ever see…yet they are applicable to everyone…thank you so much…

  • coppertrees

    coppertrees

    Janis wonderful writing, I enjoyed this very much…..

  • Janis Zroback replied

    Thank you so much Vickie…nice to see you…it seems so long since we joined RB…

  • coppertrees

    coppertrees

    I know Janis going on two years, it has been a wonderful two years here..I have enjjoyed this site so much more then any other I have been involved with…The Art ,the writings everything here is just awesome. I havve enjoyed our talks as well and your art which has inspired me so very much.

  • Janis Zroback replied

    What a wonderful compliment Vickie!!...thanks so much…I feel as if we are the alumni now…

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