Nawroski .

UNEDITED VERSION TAKEN FROM A 8,000 WORD PAPER WRITTEN IN 2007.
Visual Understandings. 1.
Creation to the post modern situation through the ready made defies all reasoning. Ready made’s taking the form of any manufactured useful commerciality are visually and generically distorted-[changed] through a process of colour and reshaping that can configure mechanistic rebellion. Attacks on the metaphysics of presence through distortion explores how objects are assigned meaning through a simplification to the processes of assimilation and observation to the everyday object,. These attacks on the meta presence arrive from individual metaphoric placement and transformations of recognisable product to art form, – [distortion of symbol to aesthetic reasoning]. Knowledge is conveyed to an observer by changed frozen pre-concepts to reality through alterations of historical productive mechanisms and function, that reconstitute presence and new orders through multi-function that reflects the process of human evolution-advancement, and achievement‘s. Empiricist status as a euphoric euphemism replaces a severity and directness of form austerity challenges impromptus thought to a suggestive use or manipulation to function. Generic reshaping of functionality creates symbiosis to internal constituent mechanisms that no longer exist, and portray a visual infinite productive interaction. This dysfunction conveys how alterations cannot be driven further, they become a constant peak to a performance of time lapse making infinity. Overall symbolism throughout functional alteration becomes transformed to a post modern statement through the breach of reality that visually transforms thought through realisations of subjectivity and functionality.

2.
This breach upon reality can play upon wit and humour to exemplify how the object became initially assigned meaning to the subject and functionality. Within post modernity real time reconstitution’s evolve rationality and irrationality simultaneously through implausible situations governing the initial assignations making a provocation to the real time situation. The real time situation being a overall short cut and climatic representation showing a working process that transcends and distresses itself beyond functional reasoning. The destruction of reality through post modern situation focus’s upon a diversity of repetitions within the evolution of mankind that cannot transcend further to a better period. These sublime repetition’s have gradual depreciations through orphism that compare gestures, and reflect superstructures with triumphant depreciative advancement making the stationary object as a time in motion. Harmony within colour Individually intensified can mark differential depreciations to systematic order replacing the expectation of the detritus that becomes redundant from cultural manufactory conclusions. All functionality creates individual synthetic symbiotic behavioural destructive boundaries to repetitions and becomes a periphery to all limitations within synthesis of symbiosis. All evolve a reflection upon a working history that has failed the new order, whilst strengthening any oppositional reinvention through nihilism that enhances metaphysical vision but deprives all expectations to future world peace.

Final Reconfiguration. 4.

Post Modernism unlike all ism’s can dictate, or create a power that instigates change to any political, governmental world order through a collective appreciation to something that is past or about to arrive. By saying past or about to arrive I mean something unique or obsolete that is inherent of prestige through altered preservations that lead as a pathway to new invention. The new or replacement need not be reinvention of predecessor but could be something oppositional to the predecessor in that both have created a planetary change. All post modern work holds physical obliterations through finality of a working process that defragmenters original physical meaning. Original meaning transcends the ideals or expectation of a newness that holds together through aesthetic posterity making depreciation to a functional mechanistic history. It could be seen to reflect the modern with stand away points of finality to the posterity of its true meaning. Physical discourse through historical recognition generates a power within aesthetic application’s and understanding making the post modern move forwards in time away from inherent originality and creates a departure to historical meaning that could create conflict. This departure signifies how a destructive force can be applied to something that has become dysfunctional or obsolete. Through computerisation manual interpretation or normal interactions are becoming obsolete but still exist through realisations. Without global realisation a time in history of entire obsoletion will happen and create dysfunctional positions causing mass conflict within mankind
5.
accelerating the destruction to the human race. Upon our replacement a coexistence with the replacement occurs enhancing dysfunctional conflict to the initial meta conceptual mistake. A concept of works of art disappearing within objects tolerates as a metaphysical presence, and this presence holds no ground when the concept is initiated, at first it could be said to be in a pure state but through self- analysis becomes contaminated. The post modern work lives off concept and is concept but after completion holds limitations with critique and becomes contaminated then coexists with other three dimensionalities, hence later reverting back to the Initial concept. After experiencing post Modern work it could be said that he observer coexists or disappears within three dimensionality through a metaphysical state of altered perception. This altered perception or state of mind also becomes temporary as the conscious mind deviates recognition and is limited through conventionality to recognition of metaphysical situation. Hence subterfuge and assimilation to conventionality becomes dominant leaving metaphysical experience latent but active within the subconscious.
A concept is drawn from mass analysis of occurrence, materialistic constitutions and observational rationality to explanations of definitions. Simplification to concept is statute and lacks any coexistence with exterior purity, and thrives only on personal work methodologies. Visual rational unison generates a focus to the truth within post modern work and simplifies explanation to true aesthetic evolution. The concept evolves visual interpretation through historical achievements that constitute a disappearing factor to its portrayal by the artist. The post modern concept
6.
evolved from mechanistic dysfunction, and became an excuse or idle replacement for the rich to enjoy. A concept and historical achievement interrelate through a post modern situation that creates a constituent nemesis allowing a process of elimination to enhance contextualisation. Like post modern meaningless or left with no thought to concept contextualisation the production becomes redundant to recognition within assimilations to reality. The precursor of post modern is the spirit of a new age that creates the unique, this through conceptualisation to the divides of conflict to historical reasoning. Through three dimensional visual meta narrative, displacement of such divides or conflicts are explained by mass distortion of subject matter. Evolutionary, conceptual, metaphysical representation or the ‘misunderstood new language’ tries to join the historical divides by showing the mistakes that initiated the divide. This making past recognitions, or affection to the conflict regressive within such divides something of our past. The repetitions of unrest inherent within history and present day displace our evolutionary path drawing us to conclusive extinction. When seen post-modernity tries to nullify any preconceptions of conflict to our past or present day global situation. But unavoidably leaving the evolutionary path of nature and machine working together to nowhere other than a total destruction of both. This process of injury creates through functional identities all commercial breakdown that aggravates social order.
Written by Andrew Nawroski 2007. (unedited version.)