The Porcelain Skin Effect in Photoshop
I have been asked by many people via comments, and directly, how I get the clear skin effect on my Portraits
. So, as I am now a leader in the Photoshop Help group, along with my good buddy Faizan Qureshi – I thought I would kick off my participation with this brief tutorial on how it is done.
This was done in Photoshop CS2, but as the effect only uses the standard Photoshop tools, most if not all versions of the program will suffice for this tutorial.
First things first, you will need a file to work on. The settings in this tutorial are based on the low resolution starting image here, and if you use higher resolution images – the settings will be different.
You may right click and save the starting image below and use it to work through this tutorial to practise – you may also upload your finished work into your portfolio for feedback and to show others how you did – You MUST not, however, place the image for sale, or use it for any other purpose other than this tutorial, without my permission
So, follow the steps and have some fun with this.
1. Save the image below and open it in Photoshop
Starting Image
startmodel
2. On the toolbar on the left hand side, click on the healing tool
healing brush tool

Use the following settings for the healing brush
healing brush tool settings
3. Zoom in on the model so that you can see imperfections on the skin. Hold Alt on your keyboard and click on an area of skin close to an imperfection once – release the mouse and the Alt key
healing brush step 1
4. Click the mouse again over the imperfection that you want to hide, once
healing brush step 2
5. Repeat the last two steps until you have removed all the imperfections, until the image looks similar to the one below.
model after healing brush applied
6. Down on the right hand corner of the Photoshop workspace – you will find the layer pallette – Have a look – you will notice that there is one layer called background, or Layer 1 in the pallette at the moment.
The Photoshop layer palette
7. Go to the menu bar running across the top of the workspace – click on the word – Layer, then click on Duplicate Layer. A box will appear, just click OK. Notice that a new layer, called layer 1, or background copy now appears in the layer pallette above the background layer. Make sure that this top layer is highlighted/selected
8. Just above the highlighted layer, there is a drop down menu [which probably has the word Normal in it at the moment]. Click that drop down menu and click on multiply.
Multiplying the layer
your image will go very dark like the one blow.
Model after multiply
Still working on this same layer
9. On the menu bar running across the top – click on the word Filter, then on Blur, then on Gaussian Blur – a box will appear. Change the settings to that below and click OK to apply the effect.
Blur settings
Your image will now look like the one below
model after blur applied
10. Go to the top menu again, and click on the word Layer, then on New Adjustment Layer, then on Levels – a box will appear. Adjust the settings to that in the image below.
Levels adjustment settings
Your image should now look like the one below
Model after the levels adjustment
Note here that you now have 3 layers in the layer pallette. You will need to be working on the MIDDLE layer [see below] for the next step, so make sure it is selected.
Selection of the middle layer for the next step
11. On the toolbar on the left, click on the History Brush to select it
history brush tool
On the top toolbar menu, set your brush to a small soft brush [so that you can fit it into the corner of the eyes], and set the opacity to 25
All in one stroke [thats important with low opacity] paint over one eye totally to bring the detail and brightness back out. Repeat for the other eye, and then for the lips.
The effect is quite subtle here, but it will make a big difference at the end of the tutorial and will give life to your model.
Your image should now look similar to the one below
model after history brush
12. Now go to the menu up the top and click on the word Layer, then click on Flatten image – this will result in you having one layer in your layer pallette again.
Ok – so your model has great skin now, but she is a bit on the bright side. We are going to darken her up a bit, but if we just do it now, she will likely turn orange with the current saturation level. so we need to adjust it a little.
13. Go to the menu up the top and click on the word Image, then Adjustment, then Hue/Saturation – a box will appear. change the settings to that below.
hue/saturation settings
The image should now look a better colour
model after hue/saturation settings applied
Now lets darken her up
14. Up to the top menu again – click on the word Image, then Adjustment, then Levels – the levels box will appear. Change the settings to that in the image below.
Levels adjustment settings
Your image should now look much darker
model after levels adjustment applied
Finally – we need to bring out highlights and for this we use the dodge tool.
15. Over on the toolbar on the left, click on the dodge tool to select it
dodge tool
Use a soft large brush [about the size of her whole cheek], set the opacity to 18 and work on highlights in the drop down menu [up the top]. Click and drag once across the eye area, then once down the models right cheek to brighten these areas up.
Your image is now complete and should look something like this
finished model
I hope you enjoyed this tutorial. The settings will be slightly different with other images of different resolutions but the methods will be the same. When adjusting levels blur etc on other images, use the sliders to get similar looking effects to what you used here and the effects will work nicely for you.
Good luck everyone, Please come back here and let me know how you got on.
RichardV
Thank you for this Julie. I will have a try soon.
Susan Zohn
wow, thank you for this great information. I will have to give this a try when I get a chance. You have taught me some great things and I thank you so much my friend.
SkyFox
This is going to change my life!
Anthony Hedger
well done Julie this was so good and will help a lot of people, thank you
Jeff Burns
This is awesome Julie Great work.
Thank you for Sharing.
krafty
Well Julie…your getting pretty good at helping out and this is brilliant..thankyou for posting it….I would like to have a go but after the palarva with me links and tags…lol doubt I could master this but I will try.xxxxx
Julie Langford
replied
Go for it Cynthia – its not as hard as it looks
cdwork
Thanks heaps for this tutorial
krafty
The file is too small Julie…or am I doing it wrong already…lol!!
Julie Langford
replied
the file is small as its only a test run Cynthia for you to get used to the settings – then you can apply the technique to larger images.
Maree Toogood
Thanks Julie great stuff. I’ve had a go how did I do?

Julie Langford
replied
wow – thats awesome Maree – Excellent editing – you have done brilliantly
Maree Toogood
Thanks Julie, excellent tutorial
Christine Wilson
wow love how youve gone through step by step something I need !!
Marie Magnusson
awesome, I will try this! thanks Julie ;- )
Pat Moore
Julie thank you so much, this is very helpful.
Deri Dority
Thanks for sharing this with us Julie! It is especially helpful to have the screen captures of each step in the tutorial. Nicely done.
Jo O'Brien
Very useful! It would be awesome to see these tutorials hosted in the group forums for people to add to and discuss :)
great work!
MuscularTeeth
wow. great explanation.
Lucindawind
thanks julie ~
Zsuzsa Korody
Julie, thank you soooo much!!! I’ve tried it with one the photos of my friends…. the result is amazing!!!! This was very useful, I would love to see more advices here from you!!! :-)))) You’re better than the photoshop users guide…:D
Julie Langford
replied
Glad that this helped Zsuzsa. I will be posting these regularly in my journals so keep an eye on it. My next one will be on Selective Colouring – the easy way.
Julie Langford
replied
I would love to see your resulting image of your friend. Have you posted it?
budrfli
i allready admired your portraiture …this has just impressed me all the more! Your work is fantastic, and i appreciate you taking the time to help others!!!
Sharon Bishop
Thanks for sharing that info Julie- will give it a go later
pryere
Thanks for that Julie, very clear and helpful.
frogster
Great tutorial Julie
Sharon Hammond
WTG Jules. You’re a star
Coralie Casey
I just had a go Julie. This is fantastic. I have Corel Paint Shop Pro so slightly different but managed to find all but one of the settings in my menu. Just didn’t find the “History” button to do the eyes and lips but my overall result looks nearly the same.
Thanks for taking the time to teach us.
Lorraine Deroon
Thanks heaps for this info! I just had a go and it turned out great. I have an old version of photoshop so I couldn’t find a history brush, but I improvised using the eraser and it seemed to work. Some of the level settings were under different menus also. I think I’ll have to go through this step by step a few times on my own images to fully comprehend what all the different functions do. Trying to work out the best hue/saturation levels could be tricky also but you’ve inspired me go beyond taking a ‘good portrait’ and making it something special. Thanks heaps.
hannahhen
Thats brilliant, thank you. Might have a go on my wedding photos now, ha ha!
Jazzyjane
Thank you. Will try this.
Kaylea
Wow! Had a go and as soon as the gaussian blur came on I waas amazed at what I had done! thank you. you have taken a bit of mystery out of photoshop for me
BLYTHART
I’ve copied the instructions and will keep them in the folder I am compiling on how to use Photoshop. You have a very good way of teaching … many thanks.
GrandmaKnitting
This has been great! Thank you. I have tried it with two of my own photos, using PS Elements 7. The only thing I couldn’t replicate, or found hard or different, was the History Brush. I used a ‘Hard Mix’ brush on the eyes of this first shot, opacity 25% and this seemed ok. Next time I wouldn’t adjust the hue so much (I didn’t on the second shot) – about +3 or +4 rather than the +9. I would love your thoughts and feedback. (I sharpened the images first, but then sharpened over the eyes again slightly)
Here they are:

GrandmaKnitting
Sorry! Here they are larger:


Julie Langford
replied
These are fabulous, and the second one in particular, has a beautiful softness about it. I haven’t used Elements, but I have heard that it is slightly different in that it doesn’t have a history brush, so a way around that is to create two duplicate layers at the first step. Instead of flattening the image then later on after applying the adjustment layer you can, flatten [merge] all the layers except the very bottom, untouched one. At that point you will have two layers left, then instead of using a history brush, you can use a soft eraser at about 20% opacity on the top layer to bring out the features. Then flatten the image and take it from that step on.
GrandmaKnitting
Ah yes! I can see how that would work. I was trying to think of something that could erase something from a layer, that would fix it beautifully. Thanks so much, this has been a really valuable tutorial :-)
Julie Langford
replied
Glad to be of help :)
This is actually quite an old tutorial now, and I have been meaning to add an updated, more advanced one to make it kind of like a stepping stone series.
This, and This were both created with the simple principle provided in the currrent tutorial, but then a second step of softening and more advanced feature enhancement was applied using brushes and sharpening techniques. I really must get around to creating a tutorial for this more advanced level of editing for people to play around with it.
GrandmaKnitting
Oh my goodness, they are amazing! Those eyes!! And I love the cheek blush too. Yes, it sounds like an advanced tutorial would be great. I wonder how well elements will compare with what you do. Well, I’ve had another go, this time with a black and white image of GrandmaKnitting herself! I used the eraser at 20% as you suggested on the eyes and lips. I did no sharpening of anything after completing the steps you’ve described. I like the flattering effect here ;-)
Julie Langford
replied
Thats really cool. You could now take that eidting a little further, with some subtle dodge around the eyes and cheek area – bring out those eyes and highlights. Work once over midtones over the whole of the upper face [mistones is up the top in the dodge brush menu], then again over highlights for the whites of the eyes, with a smaller brush.
I will try my best to keep elements users in mind when I do the advanced tutorial. I dont have the program so I dont know the tools it gives its users, but I know that the history bruish is not avaialble, and will keep that one in mind. I think the other tools I used in the two images I linked to are all available in Elements :)
Vanessa Anderberg
Thanks for this tutorial….:)
shadyuk
Really enjoyed this tutorial and article ! I am such a novice but am still trying to learn more and at my age it “aint” easy :)
Scott d'Almeida
great tutorial ,cheers
barnsis
This is one of the best- easiest to follow tutorials I have ever seen. Thank you.
SylviaHardy
You’ve put so much work in this and thank you for sharing!!
Anna Shaw 26 days ago
I have only just seen this tutorial Julie, – it is terrific. Thanks so much for putting so much work in to it so that we can all learn. It is excellent.
xx