re donna 19's 'Love [FN ADDED CRUCIAL LINE]Knows No Passing When Truly Given'


inculcated/selfwrought… pots of gold/evaluation/
resourcefulness… randomly did fight into my mind to
populate jonna 19’s ‘treasures’ simile e.g.‘s,
the very next word, ’’within’’ declaring, yea spelling out
s.i.m.i.l.e, ready for keyboard interest:
let me add inherited, knocking on that door; late ‘un.
donna 19’s poem bespeaks a ‘treasures’ fitting each of
‘words’ described as ‘gift’ wrapped/contained with ‘from my soul’ matters;
soul, meaning that depth of being that has the stamp of me, if
not religious; i.e. the words are soul selected, has
the very ism of her: ‘her’, the poem’s voice; can need not be
autobiographical (is/ain’t, given the many
meanings of poetry: ‘’the more meanings the better the poem’’
‘s been saged re poetry). donna 19 now, makes, who receives
the gifts of her soul wrapped words, out to be a beginning
life source: ’For thou art like a living spring inside of me,’
a kiss that had reached the depth of reaching her very heart;
making us all poets, then; the kiss itself reminding
what/‘twas ’(w)arming (her) spirit,’ to now warm ‘the nights ahead;’
citing memory to assuage; the future: the, it reads
indecypherable/nondescriptedness of soul/heart/warmth
is cited as reliant than anything physical/
terrestrial / thing, one can put one’s finger on; yet her simile
does recall him; him, the reason why she did smile; sensuous,
‘that curves my lips,’ thought; also recognises her beauty
at/as its response to him; the words they share the words they
used saying, thinking o,ut, referring whispering and
‘’Words that paint and sculpt and breathe for us
Our creations are birthing out loves and passions
Living for us long after we join together in eternity’’
………………………regisering this poet to poet…,
relationship like words were their only reality/
clothes; expressions their fashions; apod, they oyster happy
‘’ Lost we would have remained had we never heard th,e other
Thou speaks the only language from which I can be fed ’’
the rest but to finish, see donna 19, conclude her
poem; i, already full this time of, yes, the brownings, and
kinsella & ryan, plath & hughes (their love than our gossip
remain/stain why’s tearing my live poem in two the answer?!
: rewriting!, is the poet’s way righting h’ bad lines,
methinks her friends are what did her wrong, bid her tear the poem
(friends are friends and also reasons why you don’t marry them);
what is problematic’s
‘’and I thy muse who happily sharing her passion with thee
Never will we be parted for love knows no end when truly given
Love has no passing, only its renewing blooms
………………………………now i discover the voice is
the muse’s, therefore the inbetweenian, the lover, the
collaborator, the couldbe corespondent, if, which
sic makes the poem even more intimate; in one body
all the intimations above be of the poet pen
etrated: nothing crude since we are by the person on
the telephone esp when we talk under the blanket in
a dark room, ‘e almost whom we’ll be upon should we turn:
(besides the muse is closer than the closest relative
sum total of creative work’s, personification,
clearifying too all that stipulated help with the poem)
before i wrote / as i read donna 19’s poem, these lines came:
hell! don’t know no poet who don’t want to die, some times, and
i evoke no devastation inside/beside, ‘sthough they
could!?: just, that… wont punctuation now put, more a finger
in a dike / the poet counters / breath/pen held… try ’n force…
( when you are playing the game you think you are not playing
the time you suddenly remember that little something
that spark! miniature substitute reeling yr whole lifetime
’sepiphany illuminating you suddenly… ain’t!
the time you usually suddenly wake up from a dream )

re donna 19's 'Love [FN ADDED CRUCIAL LINE]Knows No Passing When Truly Given'


Joined June 2009

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