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re two: ''Longest Yawn'' and ''Stage Select'' by Secret Admirer

Longest Yawn by Secret Admirer
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she seems like a clean slate
i imagine a blank window

now i see the colors differently
i attach them to things i’ve seen
like 80’s movies

no one’s seen the silent film i’m co-starring in tonight
i think the story’s about the backdrop

& still can’t kick the crutches
still sitting at the same desk
having a smoke
and forgetting about the best breaths

learning to care to read and write
evaluate
and develop a response
or at least a proper lack of one
.
.
.
.
‘’a clean slate’’ image is compounded by ‘’imagine a blank window’’ a see thru’
now shewing ‘’colors differently’‘; complexed now for/by memory’s ’’attach’’
to ‘’80’s movies’’ ’’things’’; individuated/singularized into ‘’no one’s seen the
silent film i’m co-starring in tonight,’’ slent movie as well as co.starring,
and tonight, each (self) serving ambiguity, the coroborative binary’s even dark
and shutting out; declaring unwitnessable: the poet silent about the movie; is
‘’co.starring’’ also possibly in the sense of self projection: or the silent movie is
a lyrical liturgical ’’tonight’’ he relives by ’’attach’’ to imprecise ’’things i’ve seen

like 80’s movies,’’ like vaguely stipulating dream sequence perimeter, soon

supported by ‘’i think the story’s about the backdrop’‘; with now ambiguous
’’& still can’t kick the crutches,’’ for movement / admitted props; adding a site of

supposed work ‘’still sitting at the same desk;’’ where cometh this out of the blue

red herring / freudian line?; has poet also been trying to recapture, be self set scribe

to the recurring event, ’’tonight’’ now ’’having a smoke and forgetting about the

best breaths,‘’ again sprouting best breaths ambiguity mixing/clouding the best
smoking / the need to not smoke (another ’’crutch’’?) at all / ’’breaths’’ poet
decidedly remembers . . .: the final lines are good intention lines; _things to be

done_ lines; see i am properly occupied lnes, even _hurriedly putting self back

in order_ lines, see too the last lines mock self atempt at seeing both sides of by

very cunningly instructing the reader to

learning to care to read and write
evaluate
and develop a response
or at least a proper lack of one

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

.Stage Select by Secret Admirer
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norway

but i’ve only been as far as florida

norway

but i’ve only been as far as music television

only been as far as ps1
only been as far as mp3

never been to philadelphia

norway

but it feels like new york
feels like a young female new yorker in south carolina
years ago we kissed and i’ve since wondered about her

.
.
.
.
beautiful. reminds of early ts eliot. lines play horse whisperer with each other. frost writes a poem questioning is there desgn signifying god: yr lines declare presence, designer: you. you also bring unknown horway to your surroiunds by measuring it agaist various things till nw york then a girl whom you kissed there but was from elsewere like measuring now an intimation with another very knowable
quality, a girl, to measre yr said knowledge that norway feels like new york qqualifying the feel as angible as touching as in the feek fellt in a kiss remembered from a girl equally remembered, which remembering is universal: wow!;

re two: ''Longest Yawn'' and ''Stage Select'' by Secret Admirer

juddarwin

Joined June 2009

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