Grazia Gargiulo
Profile
Groups
Grazia Gargiulo is a member of Complex Simplicity of Art, Yellow Gallery, Abstract Realism, Abstracts from Nature, Adjacent Flames, AFRICAN ART AND PHOTOGRAPHY, Agent Provocateur - T-Shirts with Messages, All the Colors of the Rainbow, Animal Kingdom, Anticonsumerism, Architectural Photography, ART ACTION UNION - CREATIVE ACTIVISM, Art in Math, Art of Erotic Visions, Astronomy, Australian Bush ☼ (aspects of realistic views - ie N0 Abstracts or Macros please!), B&W - Character - People Shots, Beach Art, Big Cats, Black and White Photography, Blue Room, Bodyscapes, Brissie! It's short for Brisbane - Xmas edition , Candid Photography ( 1/24 ) , Challenge Café, Colour Me Vibrant Red!, Conservation Photography, Cutest of the Cute, DaDa Land, Dawn and Dusk Light, Domestic Art - [2/24, NO PEOPLE, PETS, or FLOWERS. INSIDE shots only.], Endangered Species, Environmental Awareness, Exotic Mammals, Experimental, Fashion and Editorial Photography, Gay Men, Green!, Hard Science Rocks, Human and Nature, Icy Cold, In the Pink 50% pink, Insects, Bugs and Creepy Crawlies (2 A Day), Kairos, Landscape Photography, Light and Reflection 1/24, Love & Romance , Mature Woman, Minimalism, Mysteries of the Common(2 per day), National Parks of the World & Great Parks Of The World, Natural Textures, New Zealand Made, Night Photography, Object Studies & Concepts, Out of the Blue (75%+ Blue), Passions, Pinup, Practising the Dark Arts, Queensland, Seachanges, Selective Coloring, Skyscapes, Something Fishy, Street Photography and Photojournalism, Sunrise, Sunset, The Adult Group, The Artistic Nude, The Birds, The Eyes Have It, The FENCE group, The Sensual Word, The Tilt-Shift Photography Gallery, The Urban Environment, Theatrical and Staged Photography, This is England, Timelapse/Long Exposure Photography, Top Shelf Wildlife & Nature Art, Travel and Adventure, Tropical Art, TTV: Through The Viewfinder, UK to Australia and Back, Underwater & Sealife (Limit 2 Per Day), Waves, Windows and Doors and Woman Appreciation.
