“Steady that shot” how to shoot slow shutter speeds
Do those available light photos sometimes come out a little fuzzy? Maybe you won’t even try a low light photo. Let’s look at some techniques for shooting in low light that may help. We are not discussing time exposures here just slower shutter speeds.
Some of the first steps are to adjust the shutter speed/aperture combination for low light shooting. Generally speaking try to open up the aperture to allow shooting at a higher shutter speed. You can also change the EI value on the camera. If you normally shoot photos at EI200 and the camera indicates this photo will be shot at 1/15sec then increasing to EI800 will allow you to shoot at 1/60sec. And of course the higher the shutter speed the less camera movement is visible in the image.

Now get a grip. Extend your hand, palm upright, with the thumb pointing away from you. Lay your camera in your hand with the thumb and forefinger wrapping around the lens. This distributes the weight of the camera down your arm. Place your other hand in the shooting position with your finger over the shutter release button. Now bring your elbows into your body and snug the camera top against your forehead. You now have a mini tripod made from your upper body. Much of the camera movement will now be absorbed by your upper body. All you have to do now is Frame+ Focus+ Hold your breath+ Squeeze the shutter release.
Now lean against a wall, sign or lamppost. Spread your feet apart and slightly forward. When in this position and holding your camera as above you can shoot at 2-3 slower shutter speeds than normal.
When shooting with long lenses many photographers choose to use a monopod. A long multi sectioned tube with a 1/4×20tpi stud on top that screws into the tripod mount on your camera or long lens itself.
Sandbags can be placed on a wall, the ground or an open car window to cushion and stabilize your camera. Emergency sandbags can be made from a pair of socks or small plastic bag.
Tripods are three legged structures with a provision for mounting the camera at the top providing a rigid but adjustable platform for stabilizing the camera and lens. Many photographers will also use a remote shutter release and some will lock up the mirror to further reduce vibrations when using a tripod.

Of course, for hand holding your camera, a well toned set of muscles help. So occasionally doing some upper body strengthening exercises will also help.
In a quick shooting situation you might try wrapping the camera strap around your arm to tighten up your grip on the camera. Or with the strap over your shoulder extend the camera until the strap tightens up for a little more support.
Plan your stance and stand your plan Frame+ Focus+ Hold your breath+ Squeeze the shutter release.
Have fun shoot lots of pictures-Larry Grayam
FlowersEtc
Fantastic, I need this information. Thanks Larry
Larry Grayam replied
Thnaks for your comments Ann
dreamNwish
Very helpful info, Larry.
I’ve had to delete too many pics because I didn’t balance myself or my camera properly. I’ve gotten better by holding the camera to my forehead…not using the LCD screen, and I find that I can get a better shot…. sometimes. I love learning so many new things about photography. That’s why I love RB so much…sooo much more than another site that sells art.
Thanks!
Larry Grayam replied
Thanks Dream I’m glad you find this information helpfull.
shawie
Larry, thank you for sharing these wonderful tips. Really very nice and useful.
Larry Grayam replied
Your welcome Shawie I hope the info can be usefull for you.
Isa Rodriguez
what great info.. larry..I am a handhelder:).. so , this is awesome.. steady , aim, breathe,,,, squeeze. :).. i love the description.. thanks
Larry Grayam replied
Just like shooting a pistol ISA
IndraniGhose
Great tips here.
Thank you very much for this.
Larry Grayam replied
Well thanks Indrani
Franklin Lindsey
Quite a good plan to bring good camera techniques to bear. Composition comes next, then intuition, and a smidgit of talent….lol
Larry Grayam replied
Don’t forget luck Franklin
ellcot
Very useful advice here. Thanks Larry!
Larry Grayam replied
Thank you ellcot
ChuckCheatham
Very much appreciated Larry. I have worked my way through all three techniques. Hand held is so much more rewarding. The best advise is to be present, (in the moment). Thanks for the reminder. Chuck
Larry Grayam replied
f8 and be there works for me Thanks Chuck
chijude
Thank you kind sir!
Larry Grayam replied
Yore very welcome Chijude hope you gained something usefull
ericb
Excellent advice. I have always considered myself “shaky” and have a great appreciation for tripods, props and higher shutter speeds. This shot was taken with my camera propped on a wooden fence post. I had to elevate the front of the lens with my hand, but that post made a huge difference in stability. It just wasn’t very portable.
Larry Grayam replied
Now shaky was what I felt when I climbed the Tybee Light and stood on the little railing. Thanks Eric
RichardKlos
Thank you for the helpful information.
Larry Grayam replied
Anytime Richard thanks for the comment
PaulAlbert
Thanks Larry ! a tool made back in the film days, (Yesteryear ) was a bolt the diameter and thread of the camera base, with drilled hole for nylon rope, at the other end of which a loop made, placing that loop around ones shoe, permits the use of the camers hand held taunt, yet permitting scanning as in to create motion blur, fits easily in the pocket, portable, use in the open, or against an object without carrying weight, of tri / mono pod, I loaned to a person for shooting Balloon flight, nearly didn’t get it back ! Improvisation, from yesteryear.Paul
Victoria Sheldon
Thank you so much for this great info.