after Rhoufi’s Waiting for Miracles
Medium: Oil on stretched, acid-free, cotton canvas
Dimensions: original: 18 × 14 in.;
digitized: 4174 × 3187 px @300 dpi
This work was painted during the SoJie 12 workshop, and translates Rhoufi’s gorgeous black and white photograph, “Waiting for Miracles”.
In Rhoufi’s photograph, it seemed to me, that the man was looking through the classifieds for a job. I thought, he’s doing this in a public place, yet is all alone, harrowed, frustrated, concerned. They say the best place to hide is in public.
With those thoughts, I immediately conceived my take on this: partial b&w, partial color, semi-abstract work, to explore the two worlds in which the man lives –
When I approached Rhoufi with the concept, he encouraged me to go for it.
This was a challenge as my approach to painting is very unlike my detailed approach to digital. I knew immediately that I would abstract the details and even the grand perspective of Rhoufi’s original.
By exaggerating color, perspective, and light; it was my hope to allow the difference in colorful versus somber tones to attract viewers into a story, which may be read in a variety of ways.
My heartfelt thanks to Rhoufi for allowing me the honor to interpret his perfect photograph (with compelling perspective), as a colorful abstract where perspective is more of an internal viewpoint than lines on canvas.
Features
2011-09-16 Abstract Surreal Digital Art
job hunting, rhoufi, sojie, oil painting, abstract oil painting, cafe painting, f a moore
Comments
oil on 18 × 14 in stretched canvas, after Rhoufi’s Waiting for Miracles .
Thanks for looking, commenting, and if it finds its way to your favorites, I’m honored.
Frannie this is truly wonderful!!!!!!!!!! I really love the colours, I really love the shading, I love the mood of the piece. I really love how the focus goes to the man at the table. I wonder what he is reading? or is he reading? It looks like he is going emotional. I love the shadows of people. Truly wonderful work! A very beautiful piece you’ve made here! Congratulations! :D
Gosh, Maria, I like all of the things you “love”. lol. Thank you so much for the long and wonderful compliment.
– F.A. Moore
Fantastic work Frannie! You have done an AMAZING job!
Wow, thanks, Dianne! That makes me feel good. :)
– F.A. Moore
FABULOUS ~
Cynthia, you wonderful person you. Thank you so much for your encouragement!
– F.A. Moore
I love it – absolutely love it! I love how you immediately dove into the human psyche and picked up what are perceived to be his true feelings with the black and white and then as you so appropriately stated – the colors are representative of his game face. Excellent, awesome and inspiring! Great job! Love it! Love it! Love it!
Wowza, Marsha, I’m truly tickled that you would think so much of it. Thanks for the great comment!
– F.A. Moore
Frannie! I have been waiting and anticipating the outcome of this image and you sure didn’t disappoint!!! This is outstanding! I’m not even sure how you could have possible found the time to work on this with all you are doing! Bravo!
Robin… (shhhh late nights…) ;) Since I got the little camera, I didn’t have to wait a week between layers for it to dry well enough to scan. So that helped things a lot! Thanks so much for your encouragement, Robin. It was a pleasure to work on this and see it take shape.
– F.A. Moore
A wonderful rendition of Rhoufi’s original. So lovely :-)
Catherine, that’s so kind. Rhoufi’s photograph is untouchable. I just love it.
– F.A. Moore
Wonderful work.. I like this version even better..
I’m very flattered, Maggie! Thank you.
– F.A. Moore
Masterful interpretation of Rhoufl’s incredibly complex work Frannie – Bravo!
Smiling, Chris, thank you for such a fine compliment!
– F.A. Moore
This is wonderful Frannie and I love the shadow being rotated. What a wonderful concept and collaboration. Great work!
Thanks, Susan, it was a delightful collaboration, with Rhoufi encouraging me all the way. He gave his total blessing on my interpretation and abstraction of the concept. I have another workshop, a bit different next month, where photographers will be able to interpret non-photographic works. I believe it will be challenging and a blast. Hope you will join in.
– F.A. Moore