Digital Fine Art composite by F.A. Moore, July 4, 2010
Dimensions: 7019 × 5100 px @280ppi
Medium: Photoshop for composite and digital brush work.
Technical: Composite includes scan of artist’s original 1996 oil on canvas landscape, and a public domain image of Renoir’s “The Two Sisters (On The Terrace)”. Duck and rabbit painted from reference photos. Renoir’s subjects and barrel painted below and to the right of his finish line.
FEATURES
2010-07-07 Two Sisters Where the Animals Live in Digital Brushstrokes
Pierre-Auguste Renoir played an integral role in the first impressionist exhibition in Paris, in 1874. His six paintings in the show won him his initial acclaim.
Renoir was a student of the masters. Starting out painting fine china in his home town of Limoges, France, he enrolled in art school at around twenty and visited the Louvre to study the masters. It is said that he often didn’t have money to buy paint. He traveled to Algeria, Madrid, Florence, and Rome to see works of Delacrois, Velázquez, Titan, and Raphael, respectively.
The artist changed styles a few times— from impressionist to classicism to thinly painted color, influenced by various artists along the way. ref
Two Sisters, [On the Terrace], an oil on canvas, Art Institute of Chicago, was painted in 1881, just before Renoir took a turn toward classicism, after a trip to Italy and seeing the Renaissance masters, notably, Raphael. The work was shown in 1882 at the seventh Impressionist exhibition. It is set on a terrace of the Restaurant Fournaise, in the village of Chatou, on the Seine. ref
In “Two Sisters Where the Animals Live”, I’ve set the subjects of the Renoir work into a scan of my 1996 impressionist style oil painting, Where the Animals Live. The girls seemed at home, here; yet, it should be apparent that I have embellished the scene with accessories and other story devices. I did not hesitate to over-paint and add to the Renoir copy, where needed. See what you can find.

Renoir’s “The Two Sisters (On the Terrace)”
DETAIL

Bunny and Donald, 50% scale (click image)

child’s dress 100% scale (click image)

trunk with yarn dish, 50% scale (click image)
classic series, digital fine art, f a moore, on the terrace, renoir, the two sisters
Comments
VIEW LARGER, as this is a larger work. See also detail sections.
OMG!!!!!!!!!! Fantastic:)xoxo
Yikes, glad for the exclamation. lol. :P
– F.A. Moore
Bunny and Donald seem quite at home here…..
This is so luscious, Frannie and what a great educational read as well.
A FAV!
Yay, Thanks, DeeDee!
– F.A. Moore
tis a perfect work Frannie as to your skill with collage and I now feel closer to the ducky and the rabbit stroy… your work and style fits perfect with the strokes of Renoir!! Wow!
Thank you for the ease of the read and the great points made about this process you journeyed on!
I adore this work!
I’m so glad, Lina. It took some time to paint the duck and bunny from references. Then I had to lower the opacity of the duck, so it would be more in keeping with Renoir’s airy strokes. Yeah, had to add them in… ;) Thank you!
– F.A. Moore
Wow Frannie,
Amazing art.
Moshe, thanks; I’m pretty happy with the outcome.
– F.A. Moore
Magnificent work, Frannie!!! Amazing!!
Appreciate it, Vitta!
– F.A. Moore
Delightfully charming! A wonderful work of storytelling on its own! Somewhere perhaps a fable in the making! I see you have incorporated your own faithful friends. Wouldn’t this be amazing in a child’s room!
I could not resist incorporating them, since I was going “digital”, anyway. Fun to paint, too! Actually, I did submit it to Art for Children. I thought so, too. Thanks, Joanne.
– F.A. Moore
Fantastic work Fran and thank you for the background education!!
I like to do that in this “classic series”, where I adapt some classics. It was interesting for me to research, too, Barbara. Thank you!
– F.A. Moore
How awesome! you have been busy. so pleased to see Bunny and Donald and the two sisters reunited from a long ago dream. Fantastic!
Heheee! You’re so funny. Indeed!! Thanks, Donna!
– F.A. Moore
Beautiful :)
Oh, I appreciate you coming by and leaving that special comment.
– F.A. Moore