Flinders Street Station
My infrared version of this famous Melbourne landmark.
Canon EOS450D and 18-55mm kit lens
HOYA R72 filter
f/5.6
ISO400
13sec exposure
So..how did I do it??
Well, the best that I can remember is…..
The image was converted to B&W with a Photoshop Action. Then I duplicated the layer and added a high pass filter to it then used Topaz Adjust on that layer and then altered the Opacity (I can’t remember what method I used when blending the layers…oops). (I may have also inverted this layer and added it aswell to give more contrast).... After combining those layers I then used Topaz Adjust again on the whole image, made it a hidden layer mask and just painted in the details on the building….or something like that!

Flinders Street Station belongs to the following groups:
Australian Landmarks and Icons, Black and White Photography, HDiR – The Marriage of Infrared and HDR, Infrared Photography, JPG Cast-Offs, Shameless Self-Promotion, Street Photography and Photojournalism and Timelapse/Long Exposure Photography
Andrew Murrell
OHHH WOW!!!! You have really outdone yourself with this. I think I will Fav it twice.
Wendi Donaldson
Amazing shot…..love that you’ve captured the crisp details of the building but have the motion blur in the foreground!!! excellent work!
pene
totally AWESOME!!!
Angie Muccillo
Oh wow brilliant work! Also love the contrast of blur and sharpness.
betha
This has come up so well, great work!
andreisky
Very nice!
Meike
WOW incredible effects! Great work!
Deborah Parkin
super work Naomi .. love your interpretation of a classic landmark.
sally williams
speechless
UncleWiggley
Nice…ghosts that walk.
bensound
So creative and original Naomi, brilliant as always.
Elana Bailey
Wow. Brilliant IR work, Naomi.
pene
What IR set up did you use and what HDR program ???
(you’ll need to add the details in your description for the HDiR group)
:) cheers
Naomi Frost replied
All updated now Pene.
Shane Viper
I like this lots, well done. Curious…what would it look like if the building was coloured???
John Moore
Whatever the processes involved, the end result is marvellous. My first encounter of this subject was painted by Wayne Roberts. I think I prefer your rendering