Control. VII
Part of an ongoing series….
All my own images, as usual…..
And, of course, it would be worthwhile to have a look at this LARGE (as long as your internet is not as slow as mine right now…)
FEATURED IN ‘DARK FUTURE’!
FEATURED IN ‘SELF AS OTHER’!
Control. VII belongs to the following groups:
!* Dark Cabaret *!, ***♂♥♥QUORN♥♥♀, All Around the Styles, All In, "Editing", All Original Blends, ART HOUSE PRODUCTIONS INTERNATIONAL, Avant-Garde, Core [C.O.R.E], Current Issues, DaDa Land, Dark Future, Digital Modern Portraiture, Digital Photography, Enchanting Powerful Photo Manipulation (2 per day), Fantasy Fine Art Composites, Imaginative Realism, Imperfectly, In Another World .., Layered with Texture, Melbourne & Victoria, Moody, Dark, Evocative (no nudes), Photo Manipulators, PixElations - The Art of Photoshop, Practising the Dark Arts, Self as Other, Shades of Grey, Textures Unlimited, The Art of Intrigue 2/24, The Art of Pain, The Healing Journey, The Voyage Of The Surrealists, THE WAIST UP - Portraiture Photography 2 per 24 hour limit and Unconventional Artistry - 3 per day Available for sale asGreeting Cards

Mel Brackstone
Love the way you’ve used the light here…
DragonFlyer replied
Thanks very much Mel. For me this is something like – emphasising what needs to be seen ‘least’ can put a lot more emphasis on what ‘should’ be the focal point, but isn’t…. (if that makes any sense at all lol)
K xx
msdebbie
I love that I am wondering what colour her nails are painted!
And agree with Mel – lighting is superb xoxo
DragonFlyer replied
Teehee…. that never occurred to me! What a funny thing lol – and thanks for your lovely words re the lighting…
K xx
ROUBLE RUST
Gorgeous work xx Absolutely wonderful.
DragonFlyer replied
Thanks so much Rouble! I think this one is kind of ‘more attractive’ maybe in itself than some of the others…
K xx
frogster
Nice work on this DF
DragonFlyer replied
Thanks very much frogster – that’s a big compliment coming from such a software master as yourself – me happy :)))
K xx
Druidstorm
Hidden is your beauty to the shadow of dreams! Beautiful capture and effect friend!!!...)o(
DragonFlyer replied
Thank you my friend – thank you :)))
K xx
R Nixon
Fragments of a dream? I want to be desired but am just a normal person. But, that isn’t enough for me, Because I’m not that inside? No matter what you see, if you’d take the time to look you’d see. But you wont.
I wont say it’s what you’re trying to say, just what I get from what you’ve produced. Essentially, pain. Pain at petty superficial shit.
I wouldn’t be adverse to an extended conversation on this.
DragonFlyer replied
Good – I wouldn’t mind either. For me – this image is too ‘pretty’ for what it’s supposed to be… which is a pretty silly thing to say because I always hope to leave plenty of ‘space’ for the viewer to ‘see’ what they can themselves…
I think here I’d recently ‘found’ a cute bokeh image that had worked well somewhere else, and I wanted it to ‘work’ again. But – that’s not how these things happen. This is 1 shot out of about 400 – about 60 are partially edited (the rest definitely weren’t worth it) and about 12-15 are ‘further’ processed so far…
I find I still get caught in this silly stuff on this site where when I hit a run of my work getting popular + (even though I often prefer it to NOT be popular…), then when the ‘run’ ends and I hit a period of not getting noticed so much I start thinking again “what will THEY like?”
I KNOW this is wrong – and it never works anyway – but… just my own insecurities and lack of confidence showing…
K x
R Nixon
O.K., I’ll give you this . . . depending on what you’re trying to do, this could be considered as commercial or being a little too slick as independent art. Just depends on what you’re after. I will take the time to look at the link.
As to photography and “400 shots”; you aren’t offered the convenience of traditional art. A painter chooses what to include in their work, a photographer only can choose what to exclude (Yeah, I know, that’s generalist bullshit, but still true in a generalistic sense.) to get across their point.
You build confidence through succeeding. (Yeah, sure, other ways too.)
You’re evil and keep trying to keep me up all night.
It’s bedtime for me now.
Richard
DragonFlyer replied
Hahahaha… O dear – turns out you’re like so many other men who blame a woman for their own behaviour lol…
But – on all the other things – you’re right on. I agree with your generalisation re photography vs painting – I can’t paint for nuts – people have asked me to, as they say what I’ve done comes out ok… but the process drives me crazy. I do one layer, another, step back, look at what’s there and inevitably my reaction is ‘O NO… you mean it’s not finished yet??? I have to ADD MORE??? It frustrates me to death…
Yet, I’ve now found I can sit at a computer screen processing an image very happily for hours and days and even weeks (on and off) – and I have no problem with frustration…
The difficult part is knowing where to stop.
I’ve been told I could do book covers – I guess that’s where this image would maybe work – but that is NOT what I want to do (unless I need to to earn a living), so, I agree that this is ‘too slick’.
i made a few other comments in the 2nd bmail I sent you…
And – I DO intend to improve my confidence ;)))
Have a good night
K xx
R Nixon
There’s nothing wrong with being commercial; just like in fine art, there’s good and bad. I’m guilty of true banality for money. For whatever it’s worth, people looking to sell a house or car, or get a shot of their kid playing soccer, generally aren’t looking beyond a straight representation. I probably could direct you to our commercial Website, but I’ll lose respect, I’m sure: MuseWurks.com
Look under commercial. I just like being behind a lens enough that I’ll do it for money and love.
DragonFlyer replied
thanks – I think I would too… as long as I don’t get too stuck with having to put so much time and effort into the ‘for money’ that I have no energy left for the ‘for love’...
R Nixon
As to painting, I have one of my old ones on here: Fox River c. 1904. It was actually done as a magazine cover about a dozen years ago. Even given that it was commercial, it’s fairly consistent with what I did stylistically up until I let the paint dry in my brushes.
R Nixon
And a quote from an old painting instructor of mine: “The time to stop is when the chances of ruining it outweigh the chances of improving it.” Don Kerr.
Painters used to “turn their work to the wall” to give them time to see it clearly. You can get so involved in details, you miss the whole point of the work. I’m guilty as anyone of this.
DragonFlyer replied
Yes – I think the ‘turning the work to the wall’ concept is just as relevant to foto processing as painting…
No one is perfect…
Danica Radman ...
you are light master!
music like work, you schubert person
brava!!!!
DragonFlyer replied
Now that is a wonderful compliment my friend – Schubert was truly a master :)))
K xx
Jessica Walker
Your work has been featured in Self As Other :)
DragonFlyer replied
Thank you very much for this! I am really pleased Jessica – thank you again!
K xx
Clare Colins
Another on I missed…what’s going on?
Great work K…lovely tones and textures. clare :) x
DragonFlyer replied
Thanks hun – I think sometimes things go wonky in our feeds – I know there are images of your I miss too :(
Did you notice the ‘exchange’ above with one R Nixon? He now bmails me regularly to have ‘discussions about ‘art’ in general and his or my work in specifics… you might note he does not refrain from putting quite bluntly what he really thinks…
K xxx