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I’ve been drawing and painting since childhood, starting with crayons, pencils and pens and later in life using pastels, charcoal and oil. I started painting with watercolours in 1993 and developed a real passion for it because its character allows for an exciting mix of spontaneity and control. I create portraits and landscapes and occassional florals and still lifes using the most unpredictable, unstable, and unforgiving medium there is.

Most of my projects begin with pre-liminary pencil sketches to determine composition, shapes and shadows. After that, I follow where the watercolour leads me. My primary focus is always on the light and its ability to turn the ordinary into the captivating.
Lately I’ve painted more portraits than landscapes. It’s fascinating: As I start with my subject’s face, building it glaze by glaze, they seem to emerge from the white paper as though they come to life. You might notice that their eyes rarely address the viewer – that’s because I prefer to show them absorbed in their own worlds…. and the contents of their minds.

If possible I start and finish a painting on the same day, taking between 2-4 hours per piece. The three colours I currently use the most are indigo blue, yellow ochre and dark red.

I enjoy challenging myself with a new subject or painting technique.

At the moment I am also discovering the possibilities of painting with Aquamarkers.

FRAMED PRINTS – GERAHMTE DRUCKE

GREETING CARDS – GRUSSKARTEN

PHOTOGRAPHIC PRINTS – FOTODRUCKE

CONTACT ME

All artwork is copyright© to dinglegallery (Claudia Dingle), All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify the images on this site without my expressed consent.

  • Joined: November 2010

Journal

Pros and Cons of Aquamarkers

I recently bought sets 1 and 2 of Letraset’s Aquamarkers. Here is what I think: / Pro Aquamarkers: / better control of lines and no unwanted backflows / Contra Aquamarkers: / staining of paper, sometimes too vibrant for watercolour feeling, blender takes on colour and if not careful it will muddy the next colour, no “happy accidents” like backflows, markers can damage the paper …
Posted 3 months – Leave a comment

Why Watercolours?

I’ve been drawing and painting since childhood, starting with crayons, pencils and pens and later in life using pastels, charcoal and oil. I started painting with watercolours in 1993 and developed a real passion for it because its character allows for an exciting mix of spontaneity and control. I create portraits and landscapes and occassional florals and still lifes using the most unpredictable…
Posted 5 months – 5 comments

Special Invitational Exhibition - Diversity in Watercolour

There’s a first time for everything and this has become true for me today because I am a co-curator of the online redbubble watercolour exhibition sponsored by the Solo Exhibition Group. / Nominated watercolour paintings will be posted in the next 2 weeks, the opening of the show will be starting on the 15th of December 2012, 12am EST. / Be there or be square! :)
Posted 6 months – 6 comments

My Awards from SoJie Workshop Participation

Janis Zroback Fine Art / Award for Portraiture / Excellence in Creativity / SoJie 17, July 2012 / Philip Gaida Fine Art Award / Medium Master Watercolour / SoJie 14, October 2011 / for “maybe she was more cat than human she thought” painting / Linda Apple Fine Art Award / Medium Master Watercolor / SoJie 15, May 2012 / for “the blue crane moves with tender foot and seeing eye&#…
Posted 8 months – 6 comments

Recently

Ari by Claudia Dingle
relaxed in Paris by Claudia Dingle
pensive by Claudia Dingle
flower fancy by Claudia Dingle
maple beauty by Claudia Dingle
little bursts of colour by Claudia Dingle
standing alone by Claudia Dingle
favourite little monsters (II) by Claudia Dingle
favourite little monsters (I) by Claudia Dingle
rock pools at low tide by Claudia Dingle
all dried up by Claudia Dingle
blue water bottles I by Claudia Dingle