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Bolton Abbey is the estate within which is located the ruined 12th-century Augustinian Bolton Priory in North Yorkshire, England. It gives its name to the parish of Bolton Abbey.
The priory was originally founded at Embsay in 1120 and contained canons led by a prior. Bolton Abbey was founded in 1154 by the Augustinian order, on the banks of the River Wharfe. The land at Bolton, as well as other resources, were given to the order by a Lady Alice de Romille of Skipton Castle in 1154. In the early 14th century Scottish raiders caused the temporary abandonment of the site and serious structural damage to the priory. The seal of the priory featured the Blessed Virgin Mary and the Child and the phrase sigillum sancte Marie de Bolton.
The nave of the abbey church was in use as a parish church from about 1170 onwards, and survived the Dissolution of the Monasteries.
Building work was still going on at the abbey when the Dissolution of the Monasteries resulted in the termination of the priory in 1539. The east end remains in ruins. A tower, begun in 1520, was left half-standing, and its base was later given a bell-turret and converted into an entrance porch. Most of the remaining church is in the Gothic style of architecture, but more work was done in the Victorian era, including windows by August Pugin.
The Bolton Abbey Estate formerly belonged to the Dukes of Devonshire until a trust was set up by the 11th Duke of Devonshire turning it over to the Chatsworth Settlement Trustees to steward. The 30,000-acre (120 km2) Estate has five areas designated as English Sites of Special Scientific Interest, including Strid Wood, an ancient woodland oak wood, which contains the length of the River Wharfe known as The Strid.
The Embsay & Bolton Abbey Steam Railway currently terminates at Bolton Abbey station one and a half miles from Bolton Priory.
The remains of the priory can still be seen, and the setting is immortalised in both in art and poetry. These include a painting by Edwin Landseer and watercolours by J.M.W. Turner one of which, Bolton Abbey, Yorkshire (1809), is held at the British Museum. William Wordsworth’s poem The White Doe of Rylstone was inspired by a visit to Bolton Abbey in 1807.
Ref Wiki.
Camera used Pentax K200D.
Edited from RAW in CS3 with added texture and finished off in Picasa 3.
Thank you for viewing.

Tags

catherine veal, pentax k200d, manipulation, bolton abbey, yorkshire

Comments

  • Catherine Hamilton-Veal  ©
    Catherine Hami...over 2 years ago

  • Trevor Kersley
    Trevor Kersleyover 2 years ago

    Nice capture and treatment Catherine…this is one of my fav places to visit.×.

  • Thank you so very much dear Trevor, it was such a lovely place.x

    – Catherine Hamilton-Veal ©

  • Twisted01
    Twisted01over 2 years ago

    Wonderful capture and edit dear Catherine. I love the dark feel to this one ;) xx

  • many thanks dear Jay for your lovely comment.x

    – Catherine Hamilton-Veal ©

  • billfox256
    billfox256over 2 years ago

    Awaking my childhood fantasies again! A wonderful shot with terrific treatment!!!!, Bill

  • thank you so very much dear Bill, for your kindness.x

    – Catherine Hamilton-Veal ©

  • Kathy Baccari
    Kathy Baccariover 2 years ago

  • vadim19
    vadim19over 2 years ago

    Great work, Catherine!

  • thank you so much dear Vadim for your kind comment.x

    – Catherine Hamilton-Veal ©

  • martinappleby
    martinapplebyover 2 years ago

    Lovely work Catherine. A fave for me. x

  • many thanks dear Martin for the kind comment and fave.x

    – Catherine Hamilton-Veal ©

  • Clive
    Cliveover 2 years ago

    A wonderful capture of this beautiful old Abbey Catherine, love the effect on this, almost like it is lit by moonlight, well done my friend xx

  • thank you so much dear Clive for you kind words and fave.x

    – Catherine Hamilton-Veal ©

  • garts
    gartsover 2 years ago

    Beautiful work Catherine.

  • Thank you so much dear Adrian for your kind comment.x

    – Catherine Hamilton-Veal ©

  • georgieboy98
    georgieboy98over 2 years ago

    You’re so good at this sort of work and have the knack of choosing the exact right scene to work on. The result is a photo that could quite easily have been taken back in the dark ages (although I don’t know what they would have used for a camera then! LOL)
    Super job mate.
    My love and best wishes to you both for a great new year – may it be a happy and HEALTHY one for you!
    Hugs
    Peter

  • Thank you so much dear Peter for your very kind comment my dear friend. I know your old, like me. but were we around in the DARK AGES?LOL
    All the best to you both for a
    Happy Healthy New Year.
    Hugs
    x x

    – Catherine Hamilton-Veal ©