England's Green and Pleasant Land - Ortonish Vignette by BlueMoonRose

Canvas Prints

Size:
$55.73
Available to buy on…

England's Green and Pleasant Land - Ortonish Vignette by 


1093 views, 2 favourites, 27 October 2013
Featured in “Inspirational Greeting Cards” on 28 August 2011 and in “Country Bumpkin” on 31 March 2013
I have chosen a picture of the grounds of Hyde Hall in Essex to illustrate the first verse of the well loved hymn,“Jerusalem” and made it into a vignette with the Ortonish effect to indicate that this is legend rather than Scripture. However, the picture is available with the text but without the Orton effect upon request (see below right)..
I would like to have made one small editorial change, substituting “those” for “these” in the phrase “these dark satanic mills”. The reason for this is that more than a century has passed since Blake penned the words, so we are distanced in time from that era, whereas he was alive during the Industrial Revolution, so “these” was the more appropriate demonstrative to use. See Wikipedia article.
Words: William Blake (circa 1904)
Music: Sir Charles Hubert Hastings Parry (1848-1918)
Enjoy this rousing rendition of Jerusalem!

The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, travelled to the area that is now England and visited Glastonbury. The legend is linked to an idea in the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a new Jerusalem. The Christian church in general, and the English Church in particular, used Jerusalem as a metaphor for Heaven, a place of universal love and peace.
In the most common interpretation of the poem, Blake implies that a visit of Jesus would briefly create heaven in England, in contrast to the “dark Satanic Mills” of the Industrial Revolution. Analysts note that Blake asks four questions rather than stating a visit to be true. According to this view, the poem says that there may, or may not, have been a divine visit, when there was briefly heaven in England. But that was then; now, we are faced with the challenge of creating such a country once again.
There is no evidence to support the hypothesis that Joseph of Aramathea was Jesus’s uncle.
The term “dark Satanic Mills”, which entered the English language from this poem, is interpreted as referring to the early Industrial Revolution and its destruction of nature and human relationships.This view has been linked to the fate of the Albion Flour Mills, which was the first major factory in London, designed by John Rennie and Samuel Wyatt and built on land purchased by Wyatt in Southwark. This was a rotary steam-powered flour mill by Matthew Boulton and James Watt, with grinding gears by Rennie,9 producing 6,000 bushels of flour a week. The factory could have driven independent traditional millers out of business, but it was destroyed, perhaps deliberately, by fire in 1791. London’s independent millers celebrated with placards reading, “Success to the mills of ALBION but no Albion Mills.” Opponents referred to the factory as satanic, and accused its owners of adulterating flour and using cheap imports at the expense of British producers. An illustration of the fire published at the time shows a devil squatting on the building.The mills were a short distance from Blake’s home.
Blake’s phrase resonates with a wider theme in his works, what he envisioned as a physically and spiritually repressive ideology based on a quantifiable reality. Blake saw the cotton mills and collieries of the period as a mechanism for the enslavement of millions, but the concepts underpinning the works had a wider application:1112
“And all the Arts of Life they changed into the Arts of Death in Albion./…13 "
—Jerusalem Chapter 3. William Blake







Tags

jerusalem, hymn, parry, england, green, pleasant, religion, christianity, singing, song, anthem, chariot, bow, arrows, spear, clouds, fire chariot, build, orton, canon s3 is

My life is divided between teaching Music and Photography. The instruments I play are organ, piano, clarinet and saxophone. I taught German and Spanish before my retirement, but since I got my digital camera no longer have time for them!

View Full Profile

Comments

  • Pamela Phelps
    Pamela Phelpsabout 3 years ago

    Beautifully done, very nice!

  • Thank you, Pamela.

    – BlueMoonRose

  • Tracy Friesen
    Tracy Friesenabout 3 years ago

    August 29, 2011

  • Thank you so much, Tracey. I am deeply grateful.

    – BlueMoonRose

  • vigor
    vigorabout 3 years ago

    Beautiful, congrats!!!

  • Thank you, Vivian.

    – BlueMoonRose

  • vigor
    vigorabout 3 years ago

    I hope you see the lovely dedication that was left for you in Just For You!!!

  • I looked just now, but could not find anything. If you had not said, I would have been totally unaware that anything had been posted. So sorry to have missed it!!
    Who posted it? I noticed that the lily picture that I dedicated to Deborah Lazarus was not there either and she appears to be unaware of its existence.

    – BlueMoonRose

  • vigor
    vigorabout 3 years ago

    If you don’t see them as they come through you can go through the “art” at the top of the page and find it.

  • Thank you, Vivian. I had just looked at the “Featured Work” and “Recent Work”.

    – BlueMoonRose

  • Evita
    Evitaover 1 year ago

    Fantastic work !!! ☺♥

  • Thank you, Evita.

    – BlueMoonRose

  • Linda Miller Gesualdo
    Linda Miller G...over 1 year ago

    Very beautiful work :-)

  • Thank you, Linda.

    – BlueMoonRose

  • Lori Peters
    Lori Petersover 1 year ago

    I loved the poem and the story that inspired it..

    !

  • Thank you so much for this lovely feature, Lori. It has made my day!

    – BlueMoonRose

  • CanyonWind
  • Many, many thanks for featuring my picture, Pop’s. It is greatly appreciated!

    – BlueMoonRose

  • ╰⊰✿ℒᵒᶹᵉ Bonita✿⊱╮ Lalonde✿⊱╮

    Congratulations on your feature nicely done and presented hugs

  • Thank you, Bonita.

    – BlueMoonRose

desktop tablet-landscape content-width tablet-portrait workstream-4-across phone-landscape phone-portrait