Golden Firth by Jim Robertson
Jim Robertson

Golden Firth by

Looking down the Moray Firth in Lossiemouth in Moray Scotland.

Nikon D80
Manual
1.8 sec. at f16
ISO 100
Nikon 18.0-70.0mm f/3.5-4.5 at 18mm
Hitech 0.9 ND soft Grad.
Manfrotto 190XPROB / 804RC2 head
Processing: RAW via NX2. Tiff via CS5.

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About Jim Robertson

My web site

Inspired by the unique beauty of the coastal fringes of Moray Jim Robertson is a self taught amateur photographer living in Lossiemouth. He was presented in 2003 with the James Payton Memorial Medal by the Royal Meteorological Society (Scottish Centre) for what was judged to be the outstanding weather photograph of the year.

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Tags

fine, photographic print, box framed print, mdf mounted print, canvas print, photographer, sale, printing, scotland, scottish, moray, jim, robertson, lossiemouth, lossie, giclee

Comments

  • Bev Woodman
    Bev Woodman8 months ago

    A very beautiful image Jim … great DOF and I love the mood it creates♥

  • HI Bev. Many thanks.

    – Jim Robertson

  • terezadelpilar
    terezadelpilar8 months ago

  • Many thanks for this Tereza

    – Jim Robertson

  • EvaMcDermott
    EvaMcDermott8 months ago

    Gorgeous mix of yellows and blues Jim. I also like the highlights on the rocks.

  • Hi Eva. Thank you very much.

    – Jim Robertson

  • Christopher Thomson
    Christopher Th...8 months ago

    Wonderful shot Jim, nice composition and it looks like you got a great sky too. Well done.

  • Hi Chris. Cheers. Re-work of an older shot.

    – Jim Robertson

  • James Elkington
    James Elkington7 months ago

    superb shot Jim…I love the clouds

  • Hi James. Thank you.

    – Jim Robertson

  • David Lewins LRPS
    David Lewins LRPS7 months ago

    Superb exposure, composition and use of light

  • Thanks for your support David

    – Jim Robertson

  • Mel Brackstone.com
    Mel Brackstone...6 months ago

    Beaut scene, Jim, I love the light on those clouds!

  • Hi Mel. Thanks. Re-work of an older shot. I find more and more that it’s worth having a look at older shots and using the processing experience gained from that time to re-evaluate some images.

    – Jim Robertson