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Redbubble posters are a lot like space travel.
In that they're completely brilliant, however unlike space travel they're quite sensibly priced.
They are a handy way to make very dull walls, ceilings and spaceships look infinitely better.
Tack them to your bedroom door, or frame one above the mantlepiece.
They're adaptable, efficient and bold and really it's amazing you've managed to go so long without picking one up.
They're available in two finishes and custom cut to three maximum sizes – A2, A1 & A0. This includes a 5mm white border to assist in framing.
Artist: Wladyslaw Dutkiewiczoil on board, 1963Photograph by Graeme HastwellLicensed by Viscopy
abstract painting, oil painting, composition, modern art, modernism, expressionism, abstract expressionism, lyrical abstraction, australian, polish, migrant artists, refugees
Adam has a background as an artist and in art criticism and works as a freelance writer on art, exhibition curator, editor and publisher, based in Adelaide, South Australia.
I think this is my favourite so far, anyway…..
Thanks Ben – that’s why I chose it for the cover of the book. I’m sifting through files of what’s already done to see what’s large and good enough quality for RB – I may have to rescan some of the earlier work by Wlad and get some of those dark, moody abstracts by Ludwik too.
– Adam Jan Dutkiewicz
Love the colours here.
My late father was a brilliant colourist, one of the most striking features of all his paintings, but especially his masterpieces.
I see you are Perth based – my father stayed in Northam when he first migrated, in 1949; his first paintings in Oz were done in Perth.
Wow what real striking art!
people here don’t really remember him or his art, not much respect. But he was really a giant of modern art in Australia.
Fabulous!! . . .
Fantastic! Such great details and textures. I love the bold use of colors and the dynamics and complexity of the composition. The man was a great artist! How good of you to share it with us through RB!
Thanks Herold and Mark. I will put more images by him up over time.
I just discovered today that this was Wlad’s entry in the Contemporary Art Society of South Australia’s Cornell Prize in 1963 – previously I had seen it in a catalogue from 1970, but it all makes sense now.