Sydney Opera House & Harbour Bridge.
Featured Work
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The House Is Still by Peacefulwarrior
The Sydney Opera House taken on the 3rd of July 2008 Featured in the Syndey Opera House & Harbour Bridge Group on the 13th of October 2009
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Water Under The (Sydney Harbour) Bridge by David McMahon
Do you recognise this world-famous sight? One of the things I enjoy doing is shooting familiar scenes from unfamiliar angles, or in unusual light. If you said this was the Sydney Harbour Bridge, go straight to the top of the class. I composed this frame from Kirribilli Point, because I did not want the bridge itself to be my main subject. Instead, I have allowed my camera to be seduced by the water and the gentle bronze-gold shimmering patterns that play across the dark surface of the rippling water. The lights and the water were my primary subject here, while the world-famous bridge just plays a cameo role. It’s also interesting that I’ve allowed the lights to tell the story of the shapes, both of the wharf in the first place, and of the bridge in the second place. You can’t actually see the bridge, per se. What you do see are the lights that pick out its famous shape. I shot this without a tripod – which is always an interesting challenge. I do not crop, enhance or post-edit my images in any way. Shot with a Pentax K100D with a Sigma 18-125mm lens. F3.5, 1/4 sec, ISO 800, focal length 18mm. Featured in IMAGE WRITING, October 2009. Featured in SYDNEY OPERA HOUSE AND HARBOUR BRIDGE, October 2009. Featured in FOR WINNERS ONLY, November 2009. Sydney2009-6126
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Blue Bridge. by Robert Brindley
This image is part of a series that i took at the occasion of the Sydney Harbour Bridge 75th anniversary celebrations in March 2007. / Taken with Pentax K10d, lens at 17mm, f4, ISO200, 3 second exposure. No colour saturation required.
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Under The Arches - Moods Of A City - The HDR Experience by Philip Johnson
BEST VIEWED LARGER This shot was taken on Friday 7th August in the late afternoon, weather predictions had been for a change to hit the city. This is the result, sunset light mixing with the eerie light of the appraoching storm. The biggest challenge was holding the camera still in the 30-40 knott winds. The vantage point was from the tenth floor of a building and the light was MAGIC ! And yes twin rainbows Equipment : Nikon D300, Handheld, Nikon 18-200mm lens / Technique: 5 bracketted images processed in Photomatix with a slight tidy in Capture NX !http://images-3.redbubble.net/img/art/framecolor:black/framestyle:flat30/mattecolor:off%20white/product:framed-print/size:large/view:preview/3197763-2-untitled.jpg
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sydney harbour bridge... by Jarrod Lees
a bent look at the famous bridge….
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Sydney Opera House by fatdade
Canon 5DMkII / 10s f5.6 / 100-400mmL @ 400mm / ISO 50
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Opera House textures by scottsphotos
This shot is taken from the western side of this iconic building at dusk in June, 2009. The shadowing on the sails come from the winter sun shining through the harbour bridge. Also available in black and white. Shot with Nikon D90 and 18 – 200 lens, hand held.
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Recent Work
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Golden Dreams - Newport, Sydney - The HDR Experience by Philip Johnson
BETTER VIEWED LARGER Great light , great location! Newport is located on the shores of Pittwater the entrance to the Hawkesbur river. It’s a area I call home , about 30 Kilometres from the Sydney CBD. Its a place of beaches,bays,inlets where you can enjoy boating,swimming, sitting on the shore watching the sun rise and fall. For those experiencing a Northern winter this is a southern summer. Equipment: Nikon D300, Sigma 10-20mm lens, handheld / Technique: HDR 5 Bracketted Images, Photomatix 3.2 64 Bit
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Spirit - Moods Of A City - The HDR Experience by Philip Johnson
BEST VIEWED LARGER Thank you for your views, comments and favouritings / Right Spot – CHECK / No Boats – CHECK / Enough Cloud – CHECK / That Consistency to the Water – CHECK / Lights in varying colours – Check / Reflections on Water – Check / Run for the D300 and the tripod – DEFINITELY Caught a range of shots on this Friday morning reached my vantage point about 5.30am. I saw these reflections and ran for the camera. Sydney Harbour like a mill pond before the many vessels start their morning trips and disturbing it’s surface. The other factor is that look to the water surface that landscape photographers might know it’s like a oily look to the water that lends itself to wonderful reflective surface. It took many shots of Sydney Harbour this morning, if, and you should have seen the sunrise that followed . WAIT ! yes i have photos of that as well. Equipment: Manfrotto Tripod, Nikon D300 Nikon 18-200mm Lens / Technique: 5 Bracketted Exposures, Photomatix 3.2, Capure NX Sydney is the capital of the state of New South Wales in Australia / See Also Oh What A Beautiful Morning: Right Place Right Time:
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Sydney Opera House by rharvey
What collection of Ozzy photos would be without a picture of the Opera House. This is my take: a high exposure night photo which includes the arc of the sea wall.
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SOH Different.... by bobculshaw
Originally a RAW image taken in January 2008 of Sydney Opera House (SOH) converted to HDR in Photomatix Pro 3.2.6. An attempt at giving a different perspective on this World Icon. Canon 400D, Canon E-FS 17-85mm IS USM lens at 30mm, ISO 100,f11, 1/200sec (on start image). Textures and adjustments made in CS4. With thanks to ‘inthename_stock’ and ‘buzillo-stock at deviant art’. PLEASE VIEW LARGER
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Sydney Skyline From Observatory Park by MiImages
Camera: Canon 5D Mk II / 30 secs @ f8.0 ISO 200 / Lens: 16-35 f/2.8 L II USM at 16mm
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Blessing - Moods Of A City - The HDR Experience by Philip Johnson
BEST VIEWED LARGER Thank you for your views, comments and favouritings / Right Spot – CHECK / No Boats – CHECK / Enough Cloud – CHECK / That Consistency to the Water – CHECK / Lights in varying colours – Check / Reflections on Water – Check / Run for the D300 and the tripod – DEFINITELY Caught a range of shots on this Friday morning reached my vantage point about 5.30am. I saw these reflections and ran for the camera. Sydney Harbour like a mill pond before the many vessels start their morning trips and disturbing it’s surface. The other factor is that look to the water surface that landscape photographers might know it’s like a oily look to the water that lends itself to wonderful reflective surface. It took many shots of Sydney Harbour this morning, if, and you should have seen the sunrise that followed . WAIT ! yes i have photos of that as well. Equipment: Manfrotto Tripod, Nikon D300 Nikon 18-200mm Lens / Technique: 5 Bracketted Exposures, Photomatix 3.2, Capure NX See Also / Oh What A Beautiful Morning: Right Place Right Time:
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Sydney moon by PhotosByG
The moon rising in Sydney.
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Sydney At Night - 3 Images Tone Mapped by Bryan Freeman
My first effort at combining three images in Photomatix You can see one of the originals below
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Heavy Metal + Opera by David McMahon
This shot was taken on the jetty at Milsons Point in Sydney, recently. It was dusk and there was heavy cloud over the city. While we waited for a ferry, I explored the pier near Luna Park and my attention was drawn to the graceful arc of the metal links of this chain. One facet of this view that captivated me was that the links have a Surrealist touch, almost as if they are melting. Because of the moody sky, I figured it would be a great opportunity to capture the metallic surface of the links. The depth of field in this shot was very deliberate. While I composed it with the links as the central focus, you’ll notice one of the world’s most famous pieces of architecture in the background, across the harbour. Yes, it’s the Sydney Opera House. Did you notice it immediately? To me, this composition also signifies Australia’s own journey, from convict beginnings (represented by the metal chain) to acknowledged cultural status (represented by the Opera House). I do not crop or post-edit my work in any way – what you see is exactly what I shoot. This was taken with a Pentax K100D, using a Sigma 18-125mm lens. I shot it at F5.6, 1/180 sec, ISO 200, with a focal length of 125mm. Featured in DEPTH OF FIELD group, June 2009. Featured in ANYTHING THEATRICAL, August 2009. Featured in MY WONDERFUL MEMORIES, August 2009. Featured in CITYSCAPES AND CITY SKYLINES, November 2009. Sydney2009-6495
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Somewhere - Moods Of A City - The HDR Experience by Philip Johnson
BEST VIEWED LARGER Thank you for your views, comments and favouritings / Right Spot – CHECK / No Boats – CHECK / Enough Cloud – CHECK / That Consistency to the Water – CHECK / Lights in varying colours – Check / Reflections on Water – Check / Run for the D300 and the tripod – DEFINITELY Caught a range of shots on this Friday morning reached my vantage point about 5.30am. I saw these reflections and ran for the camera. Sydney Harbour like a mill pond before the many vessels start their morning trips and disturbing it’s surface. The other factor is that look to the water surface that landscape photographers might know it’s like a oily look to the water that lends itself to wonderful reflective surface. It took many shots of Sydney Harbour this morning, if, and you should have seen the sunrise that followed . WAIT ! yes i have photos of that as well. Equipment: Manfrotto Tripod, Nikon D300 Nikon 18-200mm Lens / Technique: 5 Bracketted Exposures, Photomatix 3.2, Capure NX See Also Monochrome: See Also / Oh What A Beautiful Morning: Right Place Right Time:
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Arrival - Moods of a City - The HDR Experience by Philip Johnson
BEST VIEWED LARGER Thank you for your views, comments and favouritings / Right Spot – CHECK / No Boats – CHECK / Enough Cloud – CHECK / That Consistency to the Water – CHECK / Lights in varying colours – Check / Reflections on Water – Check / Run for the D300 and the tripod – DEFINITELY Caught a range of shots on this Friday morning reached my vantage point about 5.30am. I saw these reflections and ran for the camera. Sydney Harbour like a mill pond before the many vessels start their morning trips and disturbing it’s surface. The other factor is that look to the water surface that landscape photographers might know it’s like a oily look to the water that lends itself to wonderful reflective surface. It took many shots of Sydney Harbour this morning, if, and you should have seen the sunrise that followed . WAIT ! yes i have photos of that as well. Equipment: Manfrotto Tripod, Nikon D300 Nikon 18-200mm Lens / Technique: 5 Bracketted Exposures, Photomatix 3.2, Capure NX See Also / Oh What A Beautiful Morning: Right Place Right Time:
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Monochrome - The City a Study In Black and White - The HDR Experience by Philip Johnson
BEST VIEWED LARGER Thank you for your views, comments and favouritings / Right Spot – CHECK / No Boats – CHECK / Enough Cloud – CHECK / That Consistency to the Water – CHECK / Lights in varying colours – Check / Reflections on Water – Check / Run for the D300 and the tripod – DEFINITELY Caught a range of shots on this Friday morning reached my vantage point about 5.30am. I saw these reflections and ran for the camera. Sydney Harbour like a mill pond before the many vessels start their morning trips and disturbing it’s surface. The other factor is that look to the water surface that landscape photographers might know it’s like a oily look to the water that lends itself to wonderful reflective surface. It took many shots of Sydney Harbour this morning, if, and you should have seen the sunrise that followed . WAIT ! yes i have photos of that as well. Equipment: Manfrotto Tripod, Nikon D300 Nikon 18-200mm Lens / Technique: 5 Bracketted Exposures, Photomatix 3.2, Capure NX See Also / Oh What A Beautiful Morning: Right Place Right Time:
About This Group
Description: A group dedicated solely to the iconic Sydney Opera House and Harbour Bridge! Sydney Opera House and/or the Harbour Bridge must be the main subject.
Any photos that don’t contain these structures will be removed by the moderators.
Please don’t be offended if we remove photos not meeting these criteria.
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