Renewable Energy Awareness - [Name your source in item's description]

Recent Work

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  Oil Kills by Frank Stillitano

  Our society’s addiction to oil and oil based products is threatening the human race. Corporate greed is compromising human rights and the environment through pollution and global warming. Things must change before it’s too late. This t-shirt is designed to quickly communicate the relationship between oil consumption and human suffering. The image of a hand gun and the use of the colour red represents blood and human suffering (so I would recommend a red t-shirt, but it still works on other colours). The fuel pump nozzle and use of black represents oil and petrol consumption. The link between the two items is the ‘trigger’, each of which is designed to be levered by the human finger. The ‘Oil Kills’ global message defies language barriers; selling to buyers in USA, UK, Canada, Europe and Australia.

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  Settlers Hill by kalaryder

  Windmill at the entrance to Settlers Hill estate in Baldivis Western Australia

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  Wind turbines by warpiglegend

  turbines in Cumbria

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  Towel Line - Stark, NH by Wayne King

  Gather up your towels before you head off to work and school, I’m doing a towel wash today! Luckily for me I was driving through just after mom yelled this up the stairs and it produced a very colorful, sweet image. Photographed in Stark, NH.

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  Settlers Hill Windmill by kalaryder

  Windmill outside of residential development Settlers Hill near Baldivis in Western Australia

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  Washday in Michigan by Wayne King

  Washline in the breeze along the Upper Peninsula in Michigan. Wayne D. King’s images are a celebration of life, blending the real and the surreal to achieve a sense of place or time that reaches beyond the moment into a dreamlike quintessentialism designed to spark an emotional response. Using digital enhancement, handcrafting, painting, and sometimes even straight photography, King seeks to take the viewer to a place that is beyond simple truth to where truth meets passion, hope and dreams. Wayne King blogs about various aspects of his work, his ideas and his images at UnifiedVisions.Blogspot.com; OpportunityAfrica.Blogspot.com and AfricanPhotoJourney.Blogspot.com. He blogs about his photographic work including tips on their creation at his “Mindscapes” Blog, http://Photoexpressionist.blogspot.com © Wayne D. King All photographs and artworks in this portfolio are copyrighted and owned by the artist, Wayne D. King. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.

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  Washline Through a Window by Wayne King

  A washline photographed through the barn window. / !! Wayne D. King’s images are a celebration of life, blending the real and the surreal to achieve a sense of place or time that reaches beyond the moment into a dreamlike quintessentialism designed to spark an emotional response. Using digital enhancement, handcrafting, painting, and sometimes even straight photography, King seeks to take the viewer to a place that is beyond simple truth to where truth meets passion, hope and dreams. Wayne King blogs about various aspects of his work, his ideas and his images at UnifiedVisions.Blogspot.com; OpportunityAfrica.Blogspot.com and AfricanPhotoJourney.Blogspot.com. He blogs about his photographic work including tips on their creation at his “Mindscapes” Blog, http://Photoexpressionist.blogspot.com © Wayne D. King All photographs and artworks in this portfolio are copyrighted and owned by the artist, Wayne D. King. Any reproduction, modification, publication, transmission, transfer, or exploitation of any of the content, for personal or commercial use, whether in whole or in part, without written permission from the artist is strictly prohibited. All rights reserved.

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  Wind Power by Trish Woodford

  Rottnest Island Wind Turbine taken at sunset (again from the moored boat, so slightly difficult with the boat movement). The turbine produces almost 35% of the islands electricity. / Taken at Rottnest Island, Western Australia / Camera – Panasonic Lumix DMC-FZ30

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  Uncertain future by Steve Woodman

  The Kooragang Wind Turbine, atop a fifty metre tower, the V44 turbine with its twenty two metre blades generate up to 600kW.

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  WIND FARM by MARTISTIC

  Wind Farm. This is my answer to environmentally friendly energy resources! / I do take the whole environmental thing seriously and have since I was a small child, way before it became a trendy topic full of buzz words. / Still it’s important to have a sense of humor. I wouldn’t see the point of living without one! / So laugh and take the world seriously!

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  Pot Plants by kalaryder

  Pot Plants Sculture by Romyn & Treby Part of an exhibition/competition of sculptures made from recycled materials, held in Rockingham Western Australia. This was a winning entry

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  Focussed by armadillozenith

  Peter, welding waterwheel axle to hub. Photo taken at Craigencalt Farm, Kinghorn, Fife, Scotland, / 31 March 2009. The repaired wheel is now re-installed and revolving smoothly to be seen by visitors to the Ecology Centre there. / A small hillside stream feeds it; part of the flow from higher upslope is piped to pour down onto the wheel, in an overshot design. / Alongside, a separate pipe feeds an enclosed turbine which supplies electricity to the Earthship Fife Visitor Centre . My aim with this image was to emphasize the task of welding, and the concentration by eye and hand. This has been my first attempt at manipulating existing elements within a single photo (rather than assembling originally-separate elements, as I did here to put myself in Space!) How (for other learners like me!) : / Using Serif 9, I made multiple layers for the separate picture elements: sparks, welding hotspot, glove, visor window, Peter’s skin, the woodpile, yellow power supply, and so on. I duplicated the basic image as new layers, then on each layer I kept only what I wanted: by selecting its distinctive colour or outlining it by hand, then erasing the rest. / I could then adjust these picture-elements individually, layer-by-layer, altering brightness and contrast, retaining colour, but varying some layers’ opacity. / The background, seen between or through the other elements, I adjusted similarly but made it grayscale.