Lighthouse Beach Port Macquarie Australia / Canon 5D and Canon 16-35L lens ND filter Tripod. / Sunset clouds over the water
Jungle Gardens, Sarasota, Florida, USA Olympus SP570 UZ
A laneway in the backstreets of Valencia, Spain. This was taken in June on a warm summer’s night. Everything was perfectly still and quiet down the lane. Huge contrast to the day time when you could barely walk down it with the amount of people about! Featured in Postcard Style / Featured in Which Way / Featured in Dimensions / Featured in JPG Cast Offs / Featured in Colour & Light Canon SX100IS / f2.8, 1/13, ISO 200 Captured at 2am This image has not been changed or enhanced in any way. MCN: CD029-0BB7C-01EFB
Untouched – straight from the camera. This photo was featured in “Colour & Light” – thank you!! > >
Shot a couple of days back on Ramshead, Kosciuszko National Park, S E Australia. The snow shows signs of recent dust storms that originated in Central Australia. Nikon D200, Tokina 12-24 lens, / f/13, 1/200sec., 12mm, ISO: 100, EV: -0.3, CP filter. No processing – straight from the camera.
This is a side view of the world’s largest glazed geodesic dome. It is just one of many incredible exhibits at Omaha’s Henry Doorly Zoo. The “Desert Dome” contains 84,000 square feet on two levels (42,000 square feet on each level). Located beneath the Desert Dome exhibit is the Kingdoms of the Night, the world’s largest nocturnal exhibit.
The final running jump and the first flap of true flight captured and reflected. / In retrospect I should have used ISO 400 or 800 allowing 1/1000th or 1/2000th of a second. Nikon D40 / Nikkor 18-200mm VR lens @ 200mm / ISO 200 / 1/500th of a second / F/5.6 featured in Natural Colour & Light 8th February 2009 & 8th November 2009 / featured in Natures Wonders 8th February 2009 / featured in Going Coastal 16th February 2009
Red Fox – Vulpes vulpes / It is a protected species in Hong Kong and known only as the Fox in the UK. It has the widest range of any terrestrial carnivore alive. Red fox info / Olympus E-620 / Zuiko 70-300 mm Featured in the following groups: / Animal kingdom / The beauty of nature / Olympus and four thirds group / Zoophoria / Color and light
The magnificence of Wave Rock astounded me. An amazing giant granite curl of rock that is an astonishing 2,600 million years old. I could only sit there quietly and inhale it’s ancient breath.
Just an idea. Pentax K200D: Sigma 50mm F Macro / 50.0mm: 1/20 sec: F2.8: ISO 100 “stoned” was featured in Colour and light
When the FIRST universe was created, it was PERFECT. Perfect in all terms of it’s existence and behavior. Laws of MATTER and LIFE had perfection, so were predictable. Species lived PERFECT life and the nature had predictable perfection in her growth. These universes were short lived and were unstable as the PERFECT laws destoyed them easily. The purpose of creating the universe was lost….... The UNCERTAINTY factor was created after deep process and it has gifted EVOLUTION. Transformation from one form to other, one life to other became EASY & NATURAL. Now, the universes survived LONG enough to serve the PURPOSE. This thought reflects behavior & role of Brahman which supports the process creation and Maya who balances the the divine play to satisfy the PURPOSE behind. Like an individual every universe has it’s own LIFE and so the PURPOSE. We believe there are many, many universes LIKE US. These thoughts again APPEARED in my mind looking after these Gerbera petals, reflecting the process of DIVINE CREATION on the larger time scale – larger than a single human life or generation or even beyond our today’s excellence in knowledge. I belive it’s just in bits against the scale of Divine play. Visit my Bubblesite for comprehensive viewing of my images. Equipment : Canon EOS 400D
Photo was take In Ste-Marthe-Sur-Le-Lac Canon EOS DIGITAL REBEL XTi / Date/heure original 2009-06-02 13:14:17 / Mesure de la vitesse de l’obturateur 1/10 s / Indice d’ouverture f/5.5 / Vitesse estimée ISO ISO 200 / Indice d’exposition biaisée -1.00 eV / Mode compteur Partial / Flash Flash did not fire, compulsory flash mode / Longueur focale 100 mm / Balance des blancs Manual white balance
Early morning trip to a little known local beach near Stanley, Tasmania. Nikon D40 / Nikkor 18-200mm lens @ 130mm / ISO200 / F/5.6 / 1/1000th of a second featured in All Water in Motion group 30th June 2009 / featured in Natural Colour & Light group 9th July 2009 / featured in Mornings,Evenings, Sunbeams & Storms group 25th July 2009
The seas break on the harbour wall at Keiss, Caithness, Highland. The creel boat Audrey sits on her trolley.
These huge rafts carried us down the Colorado River below Glen Canyon dam in northern Arizona. I’ll go on any boat, anywhere, but this trip was spectacular with the enormous red cliffs rising almost straight up from the river. Where the red reflections didn’t dominate, the water was a deep emerald green and so clear you could see the bottom as far as 20 feet down. Panasonic Lumix DMC-FZ18
Cape Leveque, Western Australia Taken with a Kodak Easyshare C813 Featured in Masters of the Scenic, / Dawn and Dusk Light, / and Top Shelf Wildlife and Nature Art: thank you!! Other Cape Leveque images:
Washed up the beach in Cape Leveque, Western Australia. Taken with a Kodak Easyshare C813 Featured in “Made by Nature” – thank you!!
Jamieson, Victoria Taken with a Kodak Easyshare M1033
Spring snowmelt at its peak on the Thredbo River, Thredbo Diggings, Kosciuszko National Park, S E Australia. Nikon D200, 18-200 VR lens, / f/9, 1/125sec., 52mm, ISO 200, EV: -1.0, CP filter.
A jagged, brilliant stroke of lightning illuminates the sky in vibrant red, silhouetting the top of a tree. Captured in Lethbridge, Alberta, Canada; using a Canon Rebel XSi with an 18-55mm lens. .
A glorious budding Dahlia from the Botanical gardens in Glasnevin, Dublin. Artwork from Ireland. / Camera: Canon IXUS 800IS Complementary image: (also available from the flower gallery) /
Looking south at Heceta Head from the beach at Carl G Washburne State Park, Oregon. Pentax *istDs
The spectacle of nature offers a huge variety of subjects and I am more committed to meet its colors and its light, my goal is to restore real impressions.
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