Artistic Motion Blur
Featured Work
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Soaring Egret #1 by Simon Chen
Panning shoot of Egret flying
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A New Tomorrow by Jason Asher
Featured in The Ashes – Australia vs England – December 2009 / Featured in Artistic Motion Blur – December 2009 / Featured in Dimensions – November 2009 / Featured in Light In The Darkness – August 2009 This one was taken on the 22nd of August 2009 from Elephant Rock at Currumbin beach – a sunrise no photograph can describe. Shot using a 450D with a Sigma 10-20 at 10mm. 3 shots – 13s, 2.5s and 1s exposures using F/22 and Iso 100. Exposure blending using Photomatix and processed in CS4. Big thanks to Stef Dunn for the loan of his Sigma lens for the day, and also to Shelley Warbrooke for doing a splendid job on keeping me awake for the drive! 1500+ views! / 50+ favourites! / My Images Do Not Belong To The Public Domain. All images are copyright © Jason Asher. All Rights Reserved. Copying, altering, displaying or redistribution of any of these images without written permission from the artist is strictly prohibited.
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Zoom on through to the other side by Nicholas Stankus
Driving through to the other side.
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The Coppersmith 0102 by Mike de Lange
Coppersmith still toiling away late at night, Damascus Syria / 2nd PLACE: Art of the Middle East Group “Earning a Living” Challenge / FEATURED in Artistic Motion Blur Group 20/11/2009 / 217 Views on 18/11/2009
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Streaky Sunrise by James Coard
Yet another sunrise given the Photoshop blur treatment. Don’t think I’ll do any more of these. Just wanted to try the longer format. / Canon 5D mkII 24-70 f2.8L.
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Fleeting Beauty by whalegeek
Jack Frost has been hard at work in Wisconsin’s Northwoods, creating a fiery vivid tableau in this abstract. Soon autumnal beauty will be yet another memory as Winter tightens her grasp on the northern wooded lake lands. The leaf colors are as they appeared in nature, with no enhancement other than slight lightening of the image. Leaves were selected from sugar and red maples as well as from birch, aspen and other hardwood trees found in the forest near our cabin. I spent hours having fun playing with and rearranging the leaves. A very slow shutter speed was achieved with the help of a polarizer and a neutral density filter. This allowed me to create diffuse spirals suggestive of an autumn leaf carried on the north wind toward its final resting place, its brief foray into fall brilliance soon to morph into the drab brown of decay. Canon 40D, Canon 10-22mm lens, shutter 5”, f/16.0, focal length 18mm, ISO 100, handheld camera with twirling action provided by me, polarizer, neutral density filter, patio table, fall leaves. Rhinelander, Wisconsin, USA. September 23, 2009.
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Stars Rising Over the Trees by Mike Salway
Taken at IISAC2009 with a Canon 20D, 24-105mm lens 75mm, 30s exposures ISO1600. Watch the time lapse on YouTube. Read about how it was done here: Stars Rising Behind the Trees
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Dancer by Daniel Oestreich
2009 Day of the Dead Celebration, Tacoma Art Museum, Tacoma, WA USA Nikon D70 combining flash with a slow shutter speed (and a little edited in edge blur)
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Storm Surge by mither
went to the Oregon coast tp try and capture the storm surge approaching Oregon coast USA sea lion caves / Nikon D90 tamron 300mm zoom
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Speed... by Jarrod Lees
Driving really fast in my car, st kilda, Melbourne, Victoria.
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En Route by FreeWill
Sometimes I get distracted by passing objects and colours.
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XR-Pocalypse by Alex Stojan
This is an old shot I had of a Ford BA XR6 Turbo, taken at Docklands, Melbourne, Victoria. The photo was taken in the evening out of a moving vehicle, and although it turned out quite well I wanted to do something different with it. I decided to go nuts with Photomatix and Photoshop. Its a little different to my usual car shots but I like it. Shot with a Nikon D200, 28-70mm lens 28mm, 1/60 sec F/4.8, ISO 560, hand held while hanging out the window of a moving vehicle. Triple tone mapped in Photomatix, crop, levels, desaturation, noise, texture effects, sharpening etc in Photoshop.
Recent Work
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Side Tracked by pat gamwell
Train depot in Old Town, Sacramento, CA at sunset. / Artwork in PSCS3 /
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East Gill Force by Steve & Lesley
Please View Large 2 miles downstream from the wonderful hamlet of Keld on the River Swale you come to one of the better waterfalls you could wish for. This is East Gill Force a small stream that flows into the River Swale. This is one majestic waterfall. Nikon D300 (S) / Sigma 24-70mm
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Flickering Flames by Jonathan L Green
Hanukkah Candles Flicker / Taken With A Panasonic DMC FX3 / P/S Camera
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The Mysterious Lady by Danica Radman - Tazzina
to Greta Garbo Featured in Group Women Photographer / Featured in Group Impressionist Photography
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Anna's Dizzy Whizzy by Andrew Davoll
My daughter allowed me six photographs before she became embarrassed and stopped the shoot. I attached camera to my bike helmet and pre-set the camera to fire on delay release. A bit hit and miss but managed this lovely picture. No wonder she was embarrassed! / Taken at Les Hoffman reserve in Dianella
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Sailing by zumi
Speed sailing on the English Channel (La Manche) in southern England (Brighton beach).
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Chaos At Kings Beach by Marc Russell
THIS IMAGE IS UNDER THE COPYRIGHT OF MARC RUSSELL ANY REPRODUCTION OR UNLAWFUL AQUIRING OF THIS IMAGE IS STRICTLY PROHIBITED. this was shot at f16 1second with a polarising filter converted to black and white, Best Viewed Large
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City on the Move I by Jarret Baker
Washington Monument From Key Bridge in DC
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Back home by Anton Gorlin
Everything tends to go back home… Even the biggest waves crash and water runs back home – to the ocean. Tamarama Beach, Sydney, Australia Nikon D80 Featured in SEA
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Soaring Egret #1 by Simon Chen
Panning shoot of Egret flying
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Paratrooper by Linda Yates
A blur of one of the midway rides at the Pig Fest in Richland, Ga.
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Moving Light by Adrian Geronimo
taken thru glass, as i sat in the skytrain. there’s this seat that faces you right in the front end of the car, so i set up my tripod and just bracketed the scene, and set up for long exposure. I’ve always wanted to do something like this, just never got the chance, as I always like to stand by the door just so i can get out easily. this picture is a part of my final term assignment.. Location : Waterfront Skytrain Station, Vancouver BC Canada
About This Group
The world spins constantly every day. Movement is all around us, in shopping malls, out on the lake, in the sky, on the ground, and even in the water. Movement can be seen with the naked eye and other times not at all. It’s your job to capture this and show it with motion blur.
That being said, this group is dedicated to artistic photographic images showing movement with motion blur. Motion blur is the intentional use of shutter speed to blur movement. In such an image, any object moving with respect to the camera will look blurred or “smeared” along the direction of relative motion. Either the subject or the background can show the movement, meaning that the subject or the background must show motion blur.
Motion can be captured with various shutter speeds no matter how fast or slow a subject is. People, cars, light, water, whatever, as long as it shows movement with motion blur. Night, daytime, dusk, dawn, whenever.
Movement can also be created in Photoshop (or other image editing software) with its Motion Blur filter.
This group is not for depth of field blurs, out of focus shots or added vignettes. Only motion blurs.
If you have other kinds of blurs in your photo, check out A Beautiful Blur group!
PLEASE DO NOT SUBMIT:
- CAMERA SHAKE SHOTS – If the whole image is blurred due to unintentional camera shake, then you’ve missed the point. These are not motion blur and WE WILL NOT ACCEPT THEM.
- STOPPED MOTION – Or where the action is frozen in time. Even though these images may indicate movement, it is not with motion blur.
- SNAPSHOTS – You just happen to capture something move in a snap that you took. That’s not the point of this group.
No nudity or offensive work. Focus on the motion blur.
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