Coppersmith still toiling away late at night, Damascus Syria / 2nd PLACE: Art of the Middle East Group “Earning a Living” Challenge / 217 Views on 18/11/2009
Yet another sunrise given the Photoshop blur treatment. Don’t think I’ll do any more of these. Just wanted to try the longer format. / Canon 5D mkII 24-70 f2.8L.
Jack Frost has been hard at work in Wisconsin’s Northwoods, creating a fiery vivid tableau in this abstract. Soon autumnal beauty will be yet another memory as Winter tightens her grasp on the northern wooded lake lands. The leaf colors are as they appeared in nature, with no enhancement other than slight lightening of the image. Leaves were selected from sugar and red maples as well as from birch, aspen and other hardwood trees found in the forest near our cabin. I spent hours having fun playing with and rearranging the leaves. A very slow shutter speed was achieved with the help of a polarizer and a neutral density filter. This allowed me to create diffuse spirals suggestive of an autumn leaf carried on the north wind toward its final resting place, its brief foray into fall brilliance soon to morph into the drab brown of decay. Canon 40D, Canon 10-22mm lens, shutter 5”, f/16.0, focal length 18mm, ISO 100, handheld camera with twirling action provided by me, polarizer, neutral density filter, patio table, fall leaves. Rhinelander, Wisconsin, USA. September 23, 2009.
Taken at IISAC2009 with a Canon 20D, 24-105mm lens 75mm, 30s exposures ISO1600. Watch the time lapse on YouTube. Read about how it was done here: Stars Rising Behind the Trees
2009 Day of the Dead Celebration, Tacoma Art Museum, Tacoma, WA USA Nikon D70 combining flash with a slow shutter speed (and a little edited in edge blur)
went to the Oregon coast tp try and capture the storm surge approaching Oregon coast USA sea lion caves / Nikon D90 tamron 300mm zoom
Driving really fast in my car, st kilda, Melbourne, Victoria.
Sometimes I get distracted by passing objects and colours.
This is an old shot I had of a Ford BA XR6 Turbo, taken at Docklands, Melbourne, Victoria. The photo was taken in the evening out of a moving vehicle, and although it turned out quite well I wanted to do something different with it. I decided to go nuts with Photomatix and Photoshop. Its a little different to my usual car shots but I like it. Shot with a Nikon D200, 28-70mm lens 28mm, 1/60 sec F/4.8, ISO 560, hand held while hanging out the window of a moving vehicle. Triple tone mapped in Photomatix, crop, levels, desaturation, noise, texture effects, sharpening etc in Photoshop.
Shot at Makara Beach, west coast of lower North Island, New Zealand, I’d given up on this location and was walking back to the car, I’d been shooting past the point towards sunset, light conditions were harsh, not much water movement and no clouds, not my cup of tea at all. Looking back towards the point I noticed a series of stones that led towards the point, this was too good to be true, so here it is, made the journey worth while. Shot on a Nikon D700 with 17-35mm lens, with Cokin ND8 grad filter. / Jelly Bean Rumble at Dusk / Got da Makara Blues
The North Star reflected in a pond outside Bishop, ca. Eastern Sierras, Owens Valley, Ca. All images are © Nolan Nitschke. You may not use this image in any way without written consent from artist. All Rights Reserved.
Stuart Highway, South Australia near the Northern Territory border with floodwaters on either side of road. Art Panorama 617, 6×17cm format, Fuji RDP film with Photoshop photomanipulation. © Ern Mainka Buy Wall Art and Cards
Willamette National Forest, Oregon Pentax *istDs _Featured in Color and Light, 11/08/09 Featured in All Countries ~ Wtlands, Lakes, Ponds and Rivers, 11/13/09 _
went to the Oregon coast tp try and capture the storm surge approaching Oregon coast USA sea lion caves / Nikon D90 tamron 300mm zoom
Train depot in Old Town, Sacramento, CA at sunset. / Artwork in PSCS3 /
at home with flu, my view these days… :) / canon eos 50D, kit. 2’’.
Capture of a series of red rocket fireworks taken at Alexandra Palace (London, UK). Taken with a Song A350.
BEST VIEWED LARGE Panoramic View of Schoodic Point, Acadia National Park, Maine Canon 50D / Circular Polarizer / Grad ND filter / 1/3 sec / F 10 / iso 100 / 10-20mm wide angle lens / manfrotto tripod with joystick ball head / cable release
Two taxis speed along the highway through Causeway Bay, Hong Kong.
A Red Tailed Hawk staring back as it sits on a fence. / Canon EOS 10D, Tamron 28-80mm. Post-production zoom blur. © Copyright 2009 Great Divide Photography, All Rights Reserved. Unauthorized use is prohibited.
I used a slow shutter speed to blur the boats passing under the Golden Gate one night this summer. / Canon 50 d used.
Taken in Manchester with a Nikon D80 and a Sigma 10-20 lens. The reflection shows up well after a day of rain.
2009 Day of the Dead Celebration, Tacoma Art Museum, Tacoma, WA USA Nikon D70 combining flash with a slow shutter speed (and a little edited in edge blur)
Canon EOS 450D
The world spins constantly every day. Movement is all around us, in shopping malls, out on the lake, in the sky, on the ground, and even in the water. Movement can be seen with the naked eye and other times not at all. It’s your job to capture this and show it with motion blur.
That being said, this group is dedicated to artistic photographic images showing movement with motion blur. Motion blur is the intentional use of shutter speed to blur movement. In such an image, any object moving with respect to the camera will look blurred or “smeared” along the direction of relative motion. Either the subject or the background can show the movement, meaning that the subject or the background must show motion blur.
Motion can be captured with various shutter speeds no matter how fast or slow a subject is. People, cars, light, water, whatever, as long as it shows movement with motion blur. Night, daytime, dusk, dawn, whenever.
Movement can also be created in Photoshop (or other image editing software) with its Motion Blur filter.
This group is not for depth of field blurs, out of focus shots or added vignettes. Only motion blurs.
If you have other kinds of blurs in your photo, check out A Beautiful Blur group!
No nudity or offensive work. Focus on the motion blur.
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