Feature Image – Mountains and Mountain Light Group From a day in Banff National Park, Alberta – Canada / Canadian Rockies Nikon D40X / Nikkor 18-55 lens
After going up the Zugspitze last time, we afterwards drove to Eibsee and went for a walk around the lake. The panorama you get to see there is amazing, especially with the Zugspitze looming above the lake. This photo was taken at the westernmost part, looking South-East. location / 10°57.8448’ E / 47°27.7497’ N Canon EOS 40D / Sigma 10-20 EX DC HSM @11mm / Hoya ND8 HMC / Manfrotto 724B digi -2,0,+2 f/11 / Photomatix Pro
Steam rising from a small pond on cold morning with reflections of Table Rock. Location: upstate South Carolina (USA) Featured in following: / – Mountains and Mountain Light (Nov 11, 2009)
Milford Sound, Fiordland National Park, South Island, New Zealand Fuji S3 PRO / 24-70mm nikkor lens / polarizer / grad grey / tripod This photo was featured in the groups: / Sea / Mountains and Mountain Light Click on images below to view
Nikon D200 / 17-55mm f2.8 nikkor lens / polarizer / grad grey / tripod This photo is only available to buy as a LIMITED EDITION CANVAS PRINT here Featured in: / Mountains across the globe / A View Somewhere / Masters of the Scenic / Mountains and Mountain Light Also have a look at these other Mountain photos below / Click on image to view
Autumn dawn, captured from Signal Mountain at Grand Teton National Park, Wyoming…a superb location to view a sunrise. Please view larger for the best perspective. Gear/Settings : Nikon D300 – Nikon 24-70 f2.8 ED lens – Grad. ND Filter – Manfrotto Tripod and Ballhead with cable release. Settings: Manual Mode : 31mm – f16 at 1/2 second, ISO 100 All content & images © Stephen Vecchiotti. You may not use any images in any way without written consent from artist. All Rights Reserved.
Scene just outside Kayenta, Arizona of Mount Agathla.
I started off at four in the morning over Hansens Peak,it was seven degrees below freezing,the trail was covered in snow and the ground water had turned to black ice. I made it in position just before sun up having slipped over twice…...loved every second of it.
San Juan Mountains in Colorado. Olympus E510 Featured in “Mountains and Mountain Light” and “Americas Natural Wonders”
Scene off Blue Lakes Road in Hope Valley, California.
This is near Silverton, Colorado in the San Juan Mountains taken at twilight. Olympus E-510, 60 sec, f11 Featured in “Mountains and Mountain Light” and “Americas Natural Wonders”
Pontechianale, Italy BEST VIEW LARGE (click on the image) / Thanks for your attention.
Looking across Buttermere in the English Lake District National Park to Fleetwith Pike and the Honister Pass on a lovely November day.(9th Nov 2009) / Sony Alpha 350 DSLR 18-70 lens, 3 shots autobracketed and tonemapped in Photomatix / Featured in The Ashes..Australia Vs England , HDR Photography & Lakes And Inland Waterways November 2009 /
The valley at the head of Ullswater in the English Lake District on a damp and cloudy November day / Sony Alpha 350 DSLR single RAW tonemapped in Photomatix18-70 lens
Burgess Falls is a series of at least 3 major falls all located in the Burgess Falls State Park in Tennessee. This was taken after a couple of days of heavy rains. Olympus E-620.
The colorful high desert landscape of East Zion, captured at Zion National Park in southwestern Utah. Gear/Settings : Nikon D300 – Nikon 24-70 f2.8 ED lens – Circular Polarizer – Manfrotto Tripod and Ballhead with cable release. Settings: Manual Mode : 30mm – f16 at 1/125 second, ISO 100 All content & images © Stephen Vecchiotti. You may not use any images in any way without written consent from artist. All Rights Reserved.
Shadows are cast upon the Shawangunk Ridge, NY, USA as afternoon sun begins to lower in the Autumn months. /
Feature Image – Mountains and Mountain Light Group From a day in Banff National Park, Alberta – Canada / Canadian Rockies Nikon D40X / Nikkor 18-55 lens
a scenic capture of Cape Breton Island’s scenic Cabot Trail against the coastal skyline. Cape Breton Island, NS Canada / Nikon D40
After going up the Zugspitze last time, we afterwards drove to Eibsee and went for a walk around the lake. The panorama you get to see there is amazing, especially with the Zugspitze looming above the lake. This photo was taken at the westernmost part, looking South-East. location / 10°57.8448’ E / 47°27.7497’ N Canon EOS 40D / Sigma 10-20 EX DC HSM @11mm / Hoya ND8 HMC / Manfrotto 724B digi -2,0,+2 f/11 / Photomatix Pro
Featured in Focus & Lighting – November 6, 2009 / Won British Columbia Challenge and Featured in Pacific Northwest – September 5, 2009 / Featured in Live and Let Live – July 24, 2009 / Featured in Your Magic Place – July 21, 2009 The Chilkat Pass is a mountain pass on the border of Alaska, US, and the province of British Columbia, Canada, at the divide between the Klehini and Kelsall Rivers just northwest of Haines, Alaska. It is located in British Columbia’s side of the border. It is used by the Haines Highway and was the route used by the Dalton Trail during the days of the Klondike Gold Rush. The pass is named for the Chilkat subgroup of the Tlingit people, who reside in the Haines area and until the gold rush controlled use of the route. This pass is 3,510 ft. high. / Canon EOS Rebel XTi; Sigma 150-500mm OS lens / 1/320 sec / F/6.3 / 150mm / ISO 100 / 321 views as of November 18, 2009
Mount Cook National Park, New Zealand This photo is only available to buy as a LIMITED EDITION CANVAS PRINT Here Nikon F90X film camera / 24-70mm nikkor lens / polarizer / Fuji Provia 100 slide film Featured in the groups: / All Countries-wetlands, ponds, lakes and rivers / A View Somewhere / Sensational Sun / Beautiful / Made by Nature Image of the Week in Lakes and Inland Waterways Below are a few more photos from Aoraki/Mount Cook National Park / Click on images to view
Images must have VISIUAL IMPACT, (fog, mist, light, or a combination of all). STRONG COMPOSITIONS, well exposed with minimal manipulation. HIGH REJECTION RATE, if your work isn’t top notch don’t submit.NO SNAPSHOTS! NO BLUE SKIES! (some exceptions) WE ACCEPT ONLY THE BEST! The more compositional elements the image has the better. Remember, “STRONG COMPOSITIONS”,foreground, middleground, background. And above all else ‘THE LIGHT” it’s all about the LIGHT.

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