Impressionist Photography
Featured Work
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children by Charlie Watkins
slight vertical pan whilst taking the shot, gives a Monet crossed with Lowry and a hint of Constable effect
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Guitar rhythms by Karen Rich
Impressionist photo, effects achieved in camera.
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Path of Dreams by Bill Morgenstern
On the path of dreams I wind through a forest of spirit trees whispering the secrets of winter’s last breath. In the distance spring awaits as new life slowly rises in maple veins bringing sweet sap to those that gently seek this yearly gift. For me the forest mysteries and spirit elders always go forth. Watch and listen. And they will be given to you. . . Featured at Live, Love Dream – November 2, 2009 Featured at Impressionist Photography – November 2, 2009
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Bromeliad blues by LouD
Tropical plant deep within Cairns Botanical gardens. Impressionist effects done in camera – best viewed large. /
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The Magic Carpet - 3 by Emoto
A motor rikshaw (tuk-tuk) in a market in Paksitan. They are famous for their reckless driving and speed and this is what have tried to capture here. / / Note: I am enjoying my impressionist experimentation with the camera (no photoshopping at all) and hence sharing some results.
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the limit of nothing. by Joseph Rotindo
3 exposures, sequentially produced in camera housing, and combined. Texture exposure (2.4 seconds, f/27). / Pinhole exposure (10.1 seconds, f/250). / Landscape exposure (1/60 second, f/5.6). No alteration other than removal of dust.
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Watercolor forest by Angela King-Jones
My first attempt at this type of photography on trees.. I have seen it done so well here, not sure it feels worthy of a post..???
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Grassland 7 by Iris Greenwell
Panning in Camera FEATURE IN IMPRESSIONIST PHOTOGRAPHY GROUP 09/21/09 Nikon D200 / Nikkor 18-200 mm lenses @ 62mm / F11 / ISO 200 / 1/30sec
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Guiding Light by Rick Gustafson
A cloud in the distance guides these souls to their passion. Moonstone Beach, Humboldt County, California. Also to be posted to new web-site / impressionistfineartphoto.com
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A Day At Clare Number 2 by Wayne Pearson
/ Please view larger. / A slightly different perspective of the original image. / Part of the Hit and Miss series.
Recent Work
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Holding On by Andrew Davoll
Abelone gatherers hold onto each other and the reef as waves wash over them. North of Trigg beach, neutral density filter, eight second exposure. / Please view LARGER
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Fall Foliage by Iris Greenwell
Panning in Camera / F8 / 1/20 sec / ISO 125 / Nikon D80 / 70-300 mm lenses @ 65mm / Ozark National Forest, Arkansas
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Trees by Iris Greenwell
Panning in Camera / f8 / 1/20 sec / 70-300 mm lenses @ 200 mm / ISO 125 / Nikon D80 /
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The fallen by LouD
Fallen flowers on another plant’s leaves. Impressionist effects done in camera. Best viewed large. / / /
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Warm winter night by Jeannine St-Amour
Main Street in Hawkesbury, Ontario, Canada / Panasonic FZ-7
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Daisies by Lynne Haselden
Summer Gazanias. Image taken in Napier, New Zealand. / I have made three layers, each at slightly different image sizes and mashed them all together.
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Ocean in Motion #13 by Anne McKinnell
Nehalem Beach, Oregon.
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children by Charlie Watkins
slight vertical pan whilst taking the shot, gives a Monet crossed with Lowry and a hint of Constable effect
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Nature's colours by Karen Rich
This photo was taken late in the day (almost dark) – I find there are some amazing colours at this time.
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The colour purple by Jeannine St-Amour
Night shot of fountains reflecting on water. No photoshop.
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Red by Jeannine St-Amour
This is a night shot photograph of fountains reflection in water. Spotlights on the fountains were changing colours and I have captured a whole series of different colours. Equipment: Panasonic FZ-7
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Watercolour Weather by henrydark
Hume Highway Storm
About This Group
A group dedicated to the traditional ‘in-camera’ techniques used to create this unique style of Impressionist Photography.
The wonderful painterly effect is achieved ‘in-camera’ (no digital manipulation) by using traditional ‘in-camera’ techniques such as panning, multiple exposures, etc, to create movement rather than capturing it.
The emphasis of this group are the traditional ‘in-camera’ techniques that are used to produce this unique style of photography, its about painting with your camera, so show us what you can do by actually using your camera.
This group is not for digitally manipulated/created work, blur, light/night painting, motion blur, reflections, bokeh, blurred macros or layers/textures.
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