Impressionist & Abstract Photography

For photographers who enjoy applying the Impressionist & Abstract principles of Art in their photography

Recent Work

  • Mountain Track at Twilight by Kathie Nichols
  • Sundancing by Kathie Nichols
  • Bar code by funnypixel
  • Lilac dream by cuprum
  • RBP by John Velocci
  • The Tipping Point by Ben Loveday
  • Ephemeral Chair Slices by Mark Haynes Photography
  • Seeing Coffee by Aileen David
  • Ink lines by brilightning
  • Nature's mosaic by cuprum
  • Rope and Rainbow. Exclusive Original stock Surreal and Abstract Art. by sunnypicsoz
  • The Clouds Are Coming In by Ben Loveday

About This Group

This group is for Photographers who use the techniques and principles of the Impressionist and Abstract movements of Art and combine it with their photography. Digilat manipulation will be considered. Lensbaby users are most welcome.
No sets of images, iPhone cases, clothes or stickers please. There are other groups who showcases these.

Guideline definitions (from Wikipedia)

ImpressionismCharacteristics of Impressionist paintings include relatively small, thin, yet visible brush strokes, open composition, emphasis on the accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, the inclusion of movement as a crucial element of human perception and experience, and unusual visual angles.

AbstractAbstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be only slight, or it can be partial, or it can be complete. Abstraction exists along a continuum. Even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive.

See the group rules and join this group here